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La source (Saint-Léon)

ballet

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 8, 2026
Entity authorityQ2289839 ↗
Source-derived summary

La source (The Spring) is a ballet in three acts/four scenes with a score composed by Léo Delibes and Ludwig Minkus (Minkus: Act I & Act III-Scene 2/Delibes: Act II & Act III-Scene 1) which was premiered in Paris in 1866 with choreography by Arthur Saint-Léon. In 1878 in Vienna it was called Naïla, die Quellenfee (Naïla, the Waternymph).

History

The choreography was by Arthur Saint-Léon, who collaborated with Charles Nuitter in the libretto. The original designs were by Édouard Desplechin, Jean-Baptiste Lavastre, Auguste Rubé, Chaperon (sets) and Paul Lormier (costumes). The first production opened at the Théâtre Impérial de l´Opéra in Paris on 12 November 1866, with Guglielmina Salvioni (Naïla), Eugenie Fiocre (Nouredda) and Louis Mérante (Djémil) in the principal roles. The production was not particularly successful, Salvioni being considered unsuited to the rôle of Naïla. It triumphed in the following year, however, with Adèle Grantzow as Naïla, and remained a mainstay of the repertory for the next few years. A successful revival in 1872 showcased Rita Sangalli in the principal rôle, and it was for this production that the new variations for Naïla were introduced, the music most likely by Delibes himself (Nos. 12b and 23a in the list of musical numbers in the piano score, see below).

Delibes was second chorus master at the Paris Opera and had until then written operettas, songs and sacred music.

Editorial summary

This brief starts where responsible research should: with the source description of “La source (Saint-Léon)” as ballet. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1866, 1878, 1872—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where source, Saint-Léon and ballet can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as ballet. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 8, 2026. The linked authority identifier is Q2289839. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1866, 1878 and 1872.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “La source (Saint-Léon)”, its source revision and the description used here.
  2. Expand the search: follow La source (Saint-Léon) primary sources, La source (Saint-Léon) archive and source research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “La source (Saint-Léon)”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “La source (Saint-Léon)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.