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La Musica deuxième

play written by Marguerite Duras

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 13, 2026
Entity authorityQ3210921 ↗
Source-derived summary

La Musica Deuxième (English: "The Lover") is a play written by Marguerite Duras, published in 1985 by Éditions Gallimard. It is an extension of the work La Musica.

The plot

La Musica Deuxième tells the story of a man and woman who reunite three years after they have separated, to finalize their divorce. Though they have begun new lives, their history and a shared nostalgia lead them to each other. Through conversation they reconstruct their past, revealing misunderstandings and betrayals.

Editorial summary

“La Musica deuxième” enters the record as play written by Marguerite Duras. Crown Archives preserves that source wording while asking what Musica, deuxième and play can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1985—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Musica, deuxième and play.
Editorial analysis

Why this record matters

“La Musica deuxième” is worth following because a concise public description often conceals a longer documentary argument. Here, Musica, deuxième and play provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 13, 2026. The linked authority identifier is Q3210921. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1985.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “La Musica deuxième”, its source revision and the description used here.
  2. Expand the search: follow La Musica deuxième primary sources, La Musica deuxième archive and Musica research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “La Musica deuxième”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “La Musica deuxième” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.