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L-KO Motion Picture Company

American film production company 1914–1919

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionOct 23, 2025
Entity authorityQ3205873
Source-derived summary

The L-KO Motion Picture Company, also known as the L-KO Kompany, was an American motion picture company founded by Henry Lehrman. It produced silent one-, two- and very occasionally three-reel comedy shorts between 1914 and 1919, released by Universal Pictures. The initials L-KO stand for "Lehrman—Knock Out".

History

By the spring of 1914, Henry "Pathé" Lehrman had directed several important Keystone Cops comedies including The Bangville Police (1913) and Kid Auto Races at Venice (1914), Charlie Chaplin's debut. Wooed away from Mack Sennett by producer Fred J. Balshofer, Lehrman left Keystone, along with star performer Ford Sterling, to found Sterling Comedies under the umbrella of the Universal Film and Manufacturing Co., later Universal Pictures. After a relatively short time, Lehrman was fired from Sterling Comedies and founded L-KO as a separate unit within Universal.

L-KO's first comedy star was veteran English comic Billie Ritchie, who had played the role of the drunk in Fred Karno's stage production A Night in the English Music Hall before Chaplin did. Ritchie made his film debut in the first L-KO production, Love and Surgery, released October 25, 1914. Also making their first films in this venture were Gertrude Selby, a comedian who became the main female foil in L-KO comedies, and Fatty Voss, L-KO's answer to Roscoe "Fatty" Arbuckle. Louise Orth, who had appeared in some Biograph comedies and would go on to appear in many L-KO's, was also aboard for the first release.

Editorial summary

The public source identifies “L-KO Motion Picture Company” as american film production company 1914–1919. This brief keeps that definition visible, then builds a research path around L-KO, Motion and Picture.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1914, 1919, 1913—that can be checked directly. The linked authority record independently contributes the date 1914. Its value is orientation rather than verdict, with L-KO, Motion and Picture providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “L-KO Motion Picture Company”, the useful work is to connect “american film production company 1914–1919” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Oct 23, 2025. The linked authority identifier is Q3205873. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1914, 1919 and 1913.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “L-KO Motion Picture Company”, its source revision and the description used here.
  2. Expand the search: follow L-KO Motion Picture Company primary sources, L-KO Motion Picture Company archive and L-KO research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “L-KO Motion Picture Company”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from L-KO Motion Picture Company” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.