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Kyōko Kishida

Japanese actress (1930–2006)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ2025956
Source-derived summary

Kyōko Kishida (岸田 今日子, Kishida Kyōko; 29 April 1930 – 17 December 2006) was a Japanese actress and writer.

Biography

Kishida was born in the Tokyo Prefecture as the second daughter of playwright Kunio Kishida. Her older sister was the children's author and poet Eriko Kishida and she was cousins with actor Shin Kishida. She joined the Bungakuza theatre company in 1950, making her breakthrough in Yukio Mishima's stage production of Oscar Wilde's Salome. In 1963, she left the Bungakuza and joined the Kumo Theatre Company.

Kishida gave her film debut with a small role in Tadashi Imai's An Inlet of Muddy Water (1953). Her first leading film roles were in Hiroshi Teshigahara's Woman in the Dunes and Yasuzō Masumura's Manji (both 1964). Other film credits include Kon Ichikawa's Her Brother (1960), Yasujirō Ozu's An Autumn Afternoon (1962), Kaneto Shindō's Akuto (1965), Teshigahara's The Face of Another (1966) and Rikyu (1989), and Isao Yukisada's Spring Snow (2005), based on the Mishima novel of the same name.

She also appeared on television in various Taiga dramas such as Akō Rōshi (1979) and Takeda Shingen (1988), and performed voiceovers for anime series like Moomin (1969–70), Vampire Princess Miyu (1988) and Princess Tutu (2002–03).

Kishida was married to the actor Noboru Nakaya from 1954 to 1978.

Editorial summary

Begin with the source’s own compact description: “Kyōko Kishida” is japanese actress (1930–2006). The dossier treats that line as a proposition to test through Kyōko, Kishida and Japanese, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1930, 2006, 1950, 1963—that can be checked directly. The linked authority record independently contributes the date 1930-04-29. For this dossier, Kyōko, Kishida and Japanese is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “japanese actress (1930–2006)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q2025956. VIAF identifies the subject as 71603193. The Library of Congress control number is n86083675. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1930, 2006, 1950 and 1963.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Kyōko Kishida”, its source revision and the description used here.
  2. Expand the search: follow Kyōko Kishida primary sources, Kyōko Kishida archive and Kyōko research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Kyōko Kishida”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
Subject index

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Source & attribution

This entry incorporates text from Kyōko Kishida” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.