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Kuro Tanino

Japanese theatre director

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 21, 2023
Entity authorityQ11316238 ↗
Source-derived summary

Kuro Tanino (タニノクロウ) (born 1976) is a Japanese theatre director and playwright.

Born into a family of psychiatrists, Tanino also himself trained and worked as a psychiatrist before turning to theatre. He founded the theatre group Niwa Gekidan Penino (literally "garden theatre company Penino") in 2000, and he writes, directs and designs all productions. He is also a painter and sculptor.

His plays are highly surrealistic, filled with bizarre characters and creatures, influenced by Juro Kara. He prefers to use storyboards to writing regular play texts. The design is often very meticulous and colorful, with strange, incongruous elements crammed into small spaces.

Influenced by Marcel Duchamp's method of creating miniatures of his work and carrying them around with him, Tanino considers his sets and plays to be like fully formed pictures, arranging performers like parts of an installation or tableaux.

His series of "Hakobune" (ark) plays were staged at his apartment and involved elaborate sets in spite of the cramped sizes. "Frustrating Picture Book for Adults" (2008) was later also staged in Germany, Switzerland, the Netherlands and Finland, while "The Room, Nobody Knows" (2012) was performed in America in January 2014 and has also been staged in Europe.

Editorial summary

The public source identifies “Kuro Tanino” as japanese theatre director. This brief keeps that definition visible, then builds a research path around Kuro, Tanino and Japanese.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1976, 2000, 2008, 2012—that can be checked directly. The authority record carries competing date values—1976-06-13, 1976-01-01—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Kuro, Tanino and Japanese providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Kuro Tanino”, the useful work is to connect “japanese theatre director” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Mar 21, 2023. The linked authority identifier is Q11316238. VIAF identifies the subject as 186146513472432212646. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1976, 2000, 2008 and 2012.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  2. Expand the search: follow Kuro Tanino primary sources, Kuro Tanino archive and Kuro research across catalogues and specialist indexes.
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Source & attribution

This entry incorporates text from “Kuro Tanino” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.