CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Kriszta Doczy

film producer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 11, 2026
Entity authorityQ6438509
Source-derived summary

Kriszta Doczy (born 9 October 1949), formerly Krisztina Bodonyi, is a Hungarian born Australian film producer and founder of Contemporary Arts Media, a distributor of art films.

Career

Doczy worked with experimental theatre companies in Europe from the age of 17 to 30. She has worked as movement director and choreographer with theatre and dance companies and has taught at universities and performing arts schools in Australia and at City University of New York in the United States. She launched her theatre company, Shadow Industries (1996–1999), with a theatre adaptation of Peter Carey's short stories "Do You Love Me" and "Peeling". She founded a physical theatre training school (1993–1999), and collaborated with actors from Australia and the UK. Her physical theatre adaptation of The Trial by Franz Kafka toured in New York, Singapore, Australia, and South Korea.

In 2000, she established a film production/distribution company, Contemporary Arts Media (1996–present), which is recognised as a significant company for developing Australian artists' work.

Doczy now works as managing director of Contemporary Arts Media, based in Melbourne, Australia. She has collaborated with a number of Australian and international artists and producers, including Stelarc, Richard Foreman, Sarah Jane Pell, Chunky Move, and Kartemquin Films.

Editorial summary

This brief starts where responsible research should: with the source description of “Kriszta Doczy” as film producer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1949, 1996, 1999, 1993—that can be checked directly. The linked authority record independently contributes the date 1948-10-09. The account is most persuasive where Kriszta, Doczy and film can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as film producer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 11, 2026. The linked authority identifier is Q6438509. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1949, 1996, 1999 and 1993.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Kriszta Doczy”, its source revision and the description used here.
  2. Expand the search: follow Kriszta Doczy primary sources, Kriszta Doczy archive and Kriszta research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Kriszta Doczy”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Kriszta Doczy” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.