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Krapp, ou, La dernière bande

opera

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 31, 2025
Entity authorityQ6436148 ↗
Source-derived summary

Krapp, ou, La dernière bande (English: The Last Tape, German: Krapp, oder Das letzte Band) is a chamber opera in one act by Marcel Mihalovici with a libretto by Samuel Beckett. The libretto is based on Beckett's 1958 play Krapp's Last Tape, and large portions of the play's script were lifted for use in the libretto. Like the play, the opera is a monologue with the only character being that of Krapp. The opera was commissioned jointly by the Radiodiffusion-Télévision Française and the Bielefeld Opera, Germany. From the very beginning the opera's libretto has existed in three different languages: English (from the original play), French (for the French premiere) and German (for the German premiere). It premiered using the French-language version on RTF radio on 15 May 1961 and had its stage debut in Paris on 3 July 1961 at the Théâtre des Nations. The original stage production was performed by visiting artists from the Städtische Bühnen, notably American baritone William Dooley singing the title role. The work was next performed at the Städtische Bühnen in February 1962 with Dooley singing the role in German.

Krapp, ou, La dernière bande received its United Kingdom premiere on 7 May 1999 with the BBC Symphony Orchestra conducted by Diego Masson with the baritone David Barrell in the title role. The performance was at the BBC Studios at Maida Vale in London, where it was recorded for a future radio broadcast on 10 September on BBC Radio 3 as part of a wide-ranging festival of Beckett's work in London.

Editorial summary

Begin with the source’s own compact description: “Krapp, ou, La dernière bande” is opera. The dossier treats that line as a proposition to test through Krapp, dernière and bande, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1958, 1961, 1962, 1999—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Krapp, dernière and bande is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “opera” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 31, 2025. The linked authority identifier is Q6436148. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1958, 1961, 1962 and 1999.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Krapp, ou, La dernière bande”, its source revision and the description used here.
  2. Expand the search: follow Krapp, ou, La dernière bande primary sources, Krapp, ou, La dernière bande archive and Krapp research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Krapp, ou, La dernière bande”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Krapp, ou, La dernière bande” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.