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The Terminal

2004 film directed by Steven Spielberg

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 16, 2026
Entity authorityQ318766 ↗
Source-derived summary

The Terminal is a 2004 American comedy-drama film produced and directed by Steven Spielberg and starring Tom Hanks, Catherine Zeta-Jones and Stanley Tucci. The film is about an Eastern European man who is stuck in New York's John F. Kennedy Airport terminal when he is denied entry to the United States, but is unable to return to his native country because of a military coup.

The film is partially inspired by the true story of Mehran Karimi Nasseri who lived in Terminal 1 of Paris Charles de Gaulle Airport, France, from 1988 to 2006.

After finishing Catch Me If You Can (2002), Spielberg decided to direct The Terminal because he wanted to make a film "that could make us laugh and cry and feel good about the world". As no suitable airport was willing to provide their facilities, an entire working set was built inside a large hangar at the LA/Palmdale Regional Airport, with the customs hall, offices and most of the film's exterior shots filmed at the Montreal–Mirabel International Airport.

The film was released in North America by DreamWorks Pictures on June 18, 2004, to generally positive reviews and was a commercial success, grossing $219 million worldwide.

Plot

Viktor Navorski, a traveler from Krakozhia, arrives at New York City's John F. Kennedy International Airport and learns that a coup d'état has occurred in his country while he was in the air. The United States does not recognize Krakozhia's new government, rendering Viktor's passport invalid and leaving him unable to either enter the United States or return to Krakozhia. U.S. Customs and Border Protection seizes his passport and return ticket pending resolution of the issue, leaving him stranded at the airport with only his luggage and a Planters peanut can in his possession.

Frank Dixon, the Acting Field Commissioner of the airport, instructs Viktor to stay in the transit lounge until the issue is resolved, but he becomes determined to make Viktor someone else's problem.

Editorial summary

“The Terminal” enters the record as 2004 film directed by Steven Spielberg. Crown Archives preserves that source wording while asking what Terminal, film and directed can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2004, 1988, 2006, 2002—that can be checked directly. The authority record carries competing date values—2004-06-15, 2004-06-18, 2004-10-06, 2004-10-07—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Terminal, film and directed.
Editorial analysis

Why this record matters

“The Terminal” is worth following because a concise public description often conceals a longer documentary argument. Here, Terminal, film and directed provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 16, 2026. The linked authority identifier is Q318766. VIAF identifies the subject as 228689682. The Library of Congress control number is no2004120007. 5 of 6 selected statements include explicit references; 4 carry qualifiers and 0 use preferred rank. The first chronological checks are 2004, 1988, 2006 and 2002.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Terminal”, its source revision and the description used here.
  2. Expand the search: follow The Terminal primary sources, The Terminal archive and Terminal research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Terminal”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “The Terminal” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.