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Khaprumama Parvatkar

Indian musician

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 17, 2026
Entity authorityQ6400465 ↗
Source-derived summary

Khaprumama Parvatkar (1880 – 3 September 1953), born Laxman, was an Indian percussionist and classical musician celebrated for his extraordinary mastery over rhythm (layakari). Born and deceased in Chandreshwar-Parvat, he came from a family with a multi-generational heritage in the musical arts. He was highly proficient across several traditional instruments, including the tabla, mridangam, sarangi, and regional Goan percussion.

Early life and training

Laxman Parvatkar grew up in an environment deeply rooted in musical traditions. He began his musical education under the guidance of his maternal uncle, Raghuvir Parvatkar, who taught him how to play the sarangi. He went on to study the pakhawaj under his paternal uncles, Harischandra Parvatkar and Ramkrishna Parvatkar. He also received rigorous training in the Dhrupad-Dhamar style of singing from the Dhrupad vocalist Anantbuwa Dhavalikar. Parvatkar initially launched his public performance career by playing the ghumat, a widely popular percussion instrument in Goa, which he mastered with exceptional skill.

Musical career and innovations

Parvatkar earned widespread renown for his expertise as a tabla and mridangam player. While undergoing his foundational training in tabla, he became fascinated by the mathematical principles of tempo and rhythm (laya).

Editorial summary

This brief starts where responsible research should: with the source description of “Khaprumama Parvatkar” as indian musician. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1880, 1953—that can be checked directly. The linked authority record independently contributes the date 1879-01-01. The account is most persuasive where Khaprumama, Parvatkar and Indian can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as indian musician. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q6400465. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1880 and 1953.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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Source & attribution

This entry incorporates text from “Khaprumama Parvatkar” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.