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Kenji Urai

Japanese actor

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 24, 2026
Entity authorityQ11558130 ↗
Source-derived summary

Kenji Urai (浦井 健治, Urai Kenji; born 6 August 1981) is a Japanese actor and singer known for his versatile performances in theater and television. In particular he is known for his roles in major theater productions such as Elisabeth, Death Note: The Musical and Crest of the Royal Family.

Career

Urai debuted as an actor in 2000 in Kamen Rider Kuuga television series. In 2001 he played Mamoru Chiba/Tuxedo Mask in Sailor Moon Musicals and started his career in theater. In 2004 he portrayed Rudolf in Elisabeth and reprised the role multiple times until 2010. He is also known for portraying Matsukoma in Mr. Nietzsche in the Convenience Store television drama and Light Yagami in Death Note: The Musical.

In 2006, his performance in Flowers for Algernon and My Fair Lady earned Kikuta Kazuo Theatrical Award and in 2009, he received Kinokuniya Theatrical Award for his performance as Henry VI in Henry VI series at New National Theatre, Tokyo. In 2015, he received Yomiuri Theatrical Award for his performance in Flowers for Algernon and Constellations. He also earned The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for New Artists in Drama department in 2017 for his range of performances in previous year.

Editorial summary

The public source identifies “Kenji Urai” as japanese actor. This brief keeps that definition visible, then builds a research path around Kenji, Urai and Japanese.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1981, 2000, 2001, 2004—that can be checked directly. The linked authority record independently contributes the date 1981-08-06. Its value is orientation rather than verdict, with Kenji, Urai and Japanese providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Kenji Urai”, the useful work is to connect “japanese actor” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 24, 2026. The linked authority identifier is Q11558130. VIAF identifies the subject as 34147422904644880419. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1981, 2000, 2001 and 2004.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Kenji Urai”, its source revision and the description used here.
  2. Expand the search: follow Kenji Urai primary sources, Kenji Urai archive and Kenji research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Kenji Urai”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from “Kenji Urai” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.