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Kentarō Kobayashi

Japanese theatre director, manga artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 22, 2026
Entity authorityQ3545203 ↗
Source-derived summary

Kentarō Kobayashi (小林 賢太郎, Kobayashi Kentarō; born 17 April 1973) is a Japanese comedian, actor, dramaturge, theatre director, and manga artist. Outside Japan, he is most well known for directing and acting in "The Japanese Tradition (日本の形)" videos (e.g. "Sushi (鮨)"), and for playing the Mac (opposite Jin Katagiri who plays the PC) in the "Get a Mac" advertising campaign in Japan. He is a member of the Rahmens owarai comedy duo. His manga series, Hana Usagi, ran from 1999 to 2004 in Young Magazine Uppers (published by Kodansha).

Controversy

Kobayashi was assigned the role of Director of the Tokyo Olympics Opening Ceremony; however, a 1998 comedy show recording of him making an insensitive joke about the Holocaust surfaced. In that comedy show, he said "We tried to play Holocaust with these human-shaped papers for a kids TV show, but our producer heavily scolded us." It was pointed out that Kobayashi's selection may violate the Olympic Charter, which advocates anti-discrimination. On 22 July, State Minister of Defense Yasuhide Nakayama updated his Twitter account. He posted: "I immediately contacted and talked to Simon Wiesenthal Center (SWC)." The SWC released a statement and expressed the view that Kobayashi's jokes include those for people with disabilities. On 22 July 2021, the Tokyo Organising Committee of the Olympic and Paralympic Games (TOCOG) dismissed Kobayashi.

Editorial summary

The public source identifies “Kentarō Kobayashi” as japanese theatre director, manga artist. This brief keeps that definition visible, then builds a research path around Kentarō, Kobayashi and Japanese.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1973, 1999, 2004, 1998—that can be checked directly. The linked authority record independently contributes the date 1973-04-17. Its value is orientation rather than verdict, with Kentarō, Kobayashi and Japanese providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Kentarō Kobayashi”, the useful work is to connect “japanese theatre director, manga artist” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jul 22, 2026. The linked authority identifier is Q3545203. VIAF identifies the subject as 261756842. The Library of Congress control number is no2008124672. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1973, 1999, 2004 and 1998.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Kentarō Kobayashi”, its source revision and the description used here.
  2. Expand the search: follow Kentarō Kobayashi primary sources, Kentarō Kobayashi archive and Kentarō research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Kentarō Kobayashi”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from “Kentarō Kobayashi” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.