Katherine Bradford
American artist (born 1942)

Katherine Bradford (born 1942), née Houston, is an American artist based in New York City, known for figurative paintings, particularly of swimmers, that critics describe as simultaneously representational, abstract and metaphorical. She began her art career relatively late and has received her widest recognition in her seventies and eighties. Critic John Yau characterizes her work as independent of canon or genre dictates, open-ended in terms of process, and quirky in its humor and interior logic.
Bradford has exhibited internationally, at venues including MoMA PS1, Campoli Presti (London and Paris), Modern Art Museum of Fort Worth, Brooklyn Museum, Crystal Bridges Museum, and Tomio Koyama (Tokyo). She has received awards from the John Simon Guggenheim, Joan Mitchell and Pollock-Krasner foundations and the American Academy of Arts and Letters. Her work belongs to public art collections including the Metropolitan Museum of Art, Musée d'Art Moderne de Paris, Brooklyn Museum, Dallas Museum of Art, Institute of Contemporary Art, Boston and Portland Art Museum, among others.
Bradford lives with her spouse Jane O'Wyatt, in New York City and Brunswick, Maine, and works out of a studio in Williamsburg, Brooklyn.
Early life and career
Bradford was born in 1942 in New York City and grew up in Connecticut. When she was a child, her mother discouraged the bohemian life of the arts, despite Bradford's grandfather, Jacques André Fouilhoux, being a prominent architect. After earning a BA at Bryn Mawr College, Bradford married Peter A. Bradford and raised twins born in 1969; her children are writer and filmmaker Arthur Bradford and Laura Bradford, who is a lawyer and law professor.
The public source identifies “Katherine Bradford” as american artist (born 1942). This brief keeps that definition visible, then builds a research path around Katherine, Bradford and American.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Katherine Bradford”, the useful work is to connect “american artist (born 1942)” to the records capable of establishing context and consequence.
The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 21, 2026. The linked authority identifier is Q6376313. VIAF identifies the subject as 263147310017837851261. The Library of Congress control number is no2018060851. 2 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1942 and 1969.
Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Katherine Bradford”, its source revision and the description used here.
- Expand the search: follow Katherine Bradford primary sources, Katherine Bradford archive and Katherine research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Katherine Bradford”?
- How has the subject’s reputation changed across later accounts?
- Which claims depend on a single source or contested interpretation?
Search terms from this dossier
This entry incorporates text from “Katherine Bradford” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.