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Kanwarjit Paintal

former Indian comic actor and current teacher of acting

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 1, 2026
Entity authorityQ7124977 ↗
Source-derived summary

Kanwarjit Paintal, better known as Paintal (born 22 August 1948), is an Indian actor and comedian. He started off as a comic actor and moved on to teaching the art of acting. He has extensively worked not only in numerous movies but also television.

He was born into a Sikh family in Tarn Taran which is near Amritsar, Punjab. He lived his early life with his family members in Sadar Bazaar, Delhi. Paintal learnt acting at the Film and Television Institute of India and in 2008 was the Head of the Acting Department of FTII. He came to Bombay (now Mumbai) in 1969. His brother Gufi Paintal played the role Shakuni in B.R. Chopra hit show 'Mahabharat (1988 TV series)', in which he himself played the roles of Shikhandi and Sudama. His son, Hiten Paintal, is also an actor, who worked in movies such as Dil Maange More (2004) and Bachna Ae Haseeno (2008).

Filmography

Some of Paintal's notable roles included Rattan in Jawani Diwani (1972), Salma in Rafoo Chakkar (1975), Guruji in Bawarchi (1972), Arun in Piya Ka Ghar (1972), Panditji (Astrologer) in Parichay (1972), Totaram in Jangal Mein Mangal (1972), Kamal in Heera Panna (1973), Headmaster in Roti (1974), Ramu in Khote Sikkay (1973), and Budh Anand in Satte Pe Satta (1982). One of his most notable roles was as Champak Boomia in Aaj Ki Taaza Khabar (1973).

Editorial summary

This brief starts where responsible research should: with the source description of “Kanwarjit Paintal” as former Indian comic actor and current teacher of acting. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1948, 2008, 1969, 1988—that can be checked directly. The linked authority record independently contributes the date 1947-08-08. The account is most persuasive where Kanwarjit, Paintal and former can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as former Indian comic actor and current teacher of acting. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Sep 1, 2026. The linked authority identifier is Q7124977. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1948, 2008, 1969 and 1988.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Kanwarjit Paintal”, its source revision and the description used here.
  2. Expand the search: follow Kanwarjit Paintal primary sources, Kanwarjit Paintal archive and Kanwarjit research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Kanwarjit Paintal”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Kanwarjit Paintal” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.