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Giorgio Schiavone

painter from Dalmatia (1436-1504)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 20, 2026
Entity authorityQ3509120 ↗
Source-derived summary

Juraj Ćulinović (Italian: Giorgio Schiavone; Latin: Georgius Dalmaticus; 1433/1436 – 6 December 1504) was a Dalmatian Renaissance painter, active in North Italy and Dalmatia. He is considered the most important Dalmatian painter of the 15th century.

Name

While in Italy, he usually signed his name as Sclavonus, or in some cases Georgius Dalmaticus. He is best known today as Giorgio Schiavone or Giorgio di Tomaso Schiavone.

Biography

Born in Skradin, young Juraj probably received his first painting lessons while still in Dalmatia, from Dujam Vušković when that artist was in Šibenik (1448–52) working on a polyptych for the cathedral commissioned by the nobleman Juraj Radoslavčić.

He moved to Italy in 1456, and signed a contract to assist Francesco Squarcione in his Padua studio. After a few years he left Squarcione's workshop, without repaying his debt to the teacher and taking several of his drawings with him. By 1462 he was back in Dalmatia, working in Zadar, then from 1463 he was in Šibenik teaching art, with working visits to Venice and Padua. In 1463 he married Jelena, the daughter of the sculptor and architect Juraj Dalmatinac. It is said that his paintings influenced his father-in-law’s sculpture.

Editorial summary

“Giorgio Schiavone” enters the record as painter from Dalmatia (1436-1504). Crown Archives preserves that source wording while asking what Giorgio, Schiavone and painter can confirm, complicate or overturn.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1433, 1436, 1504, 1448—that can be checked directly. The linked authority record independently contributes the date 1436-01-01. Its strongest next move is a source search built around Giorgio, Schiavone and painter.
Editorial analysis

Why this record matters

“Giorgio Schiavone” is worth following because a concise public description often conceals a longer documentary argument. Here, Giorgio, Schiavone and painter provides the most credible route into that argument.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 20, 2026. The linked authority identifier is Q3509120. VIAF identifies the subject as 40253399. The Library of Congress control number is nr89004002. 1 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1433, 1436, 1504 and 1448.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

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Source & attribution

This entry incorporates text from “Giorgio Schiavone” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.