Junior Magazine
Canadian television program

Junior Magazine was a TV programme for teenagers, which ran for 7 years on CBC Television's coast to coast network, seen Sundays from 2-3 p.m.
Fred Rainsberry was largely responsible for running the Children's Television Department for the Canadian Broadcasting Corporation, out of their Jarvis Street studios in Toronto during the 1950s and '60s. The host was a recent arrival from England, John Clark, leaving behind his Just William image.
The series began in 1955, with Clark introducing short documentary films, and the format was expanded when co-hosts were brought in, Hank Hedges presenting nature subjects, and Doug Maxwell covering sports. Producer Bruce Attridge introduced a little culture to the program with music and dance sequences, and young Roberta Maxwell joined the team in 1957 for 2 years, before exiting to pursue an acting career. Disney selected the show to be their Canadian outlet for their children's films, and the program's objectives were expanded in 1958, when Clark would take off on weekly jaunts with a camera crew to explore the surrounding countryside and uncover points of historic interest. However, Clark never lost the acting bug, and left for New York in 1960. The program continued for two more years, under several new hosts, among them Toby Tarnow, Patrick Watson, Garrick Hagon, and Norman Welch. In 1963, Rainsberry persuaded Fred Rogers to take to the airwaves.
In 1957, 1958 and 1962, the series was continued from July to September with Summer Magazine.
The public source identifies “Junior Magazine” as canadian television program. This brief keeps that definition visible, then builds a research path around Junior, Magazine and Canadian.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Junior Magazine”, the useful work is to connect “canadian television program” to the records capable of establishing context and consequence.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 10, 2026. The linked authority identifier is Q6313342. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1955, 1957, 1958 and 1960.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Junior Magazine”, its source revision and the description used here.
- Expand the search: follow Junior Magazine primary sources, Junior Magazine archive and Junior research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Junior Magazine”?
- How did later circulation or interpretation alter the work’s reception?
- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “Junior Magazine” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.