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Giuseppe Tominz

Italian painter (1790-1866)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 13, 2026
Entity authorityQ532760
Source-derived summary

Giuseppe Tominz, also known as Jožef Tominc (6 July 1790 – 24 April 1866), was an Italian-Slovene painter from the Austrian Littoral. He worked mostly in the cultural milieu of the upper bourgeoisie in the Austrian Illyrian Kingdom. He was one of the most prominent portraitists of the Biedermeier period. He became renowned for his realistic portraits. He worked mostly in the Austrian Littoral, but also produced religious paintings in Carniola and in Croatia. His handiwork can be seen in the Church of the Birth of the Blessed Virgin Mary in Donji Stoliv. Nowadays, many of his works are on display in the Revoltella Museum in Trieste, some in the National Gallery of Slovenia in Ljubljana, National Museum of Serbia and in the Museum of History and Art of Gorizia. He is considered part of both the Italian and the Slovenian national culture canon.

Biography

Early life and education

Giuseppe Tominz was born in Gorizia as the second of eleven children of Ivano Tominz, a dealer in ironware, and his wife Maria Anna (née Gioacchini) of Udine. He was educated in a bilingual environment.

Editorial summary

The public source identifies “Giuseppe Tominz” as italian painter (1790-1866). This brief keeps that definition visible, then builds a research path around Giuseppe, Tominz and Italian.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1790, 1866—that can be checked directly. The authority record carries competing date values—1790-07-06, 1790-01-01—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Giuseppe, Tominz and Italian providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Giuseppe Tominz”, the useful work is to connect “italian painter (1790-1866)” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Mar 13, 2026. The linked authority identifier is Q532760. VIAF identifies the subject as 15604913. The Library of Congress control number is n2003017006. 4 of 4 selected statements include explicit references; 1 carry qualifiers and 1 use preferred rank. The first chronological checks are 1790 and 1866.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from Giuseppe Tominz” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.