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José Jiménez Donoso

painter (c.1632-1690)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 26, 2026
Entity authorityQ9013948 ↗
Source-derived summary

José Jiménez Donoso (c.1632, Consuegra – 14 September 1690, Madrid) was a Spanish Baroque architect and painter. He decorated many of his own buildings, using the Italian technique of quadratura.

Life and work

He learned the rudiments of art from his father, the painter Antonio Jiménez Donoso, and continued his studies in Madrid with Francisco Fernández, who was a follower of Vicente Carducho. Around 1649, he moved to Rome, where he remained for seven years, learning how to paint frescoes. He also studied architecture, apparently coming under the influence of Francesco Borromini.

When he returned to Madrid, he completed his studies at the school operated by Juan Carreño de Miranda. After that, he attempted to obtain a position as court painter to King Charles II, but was unsuccessful. He remained bitter over this failure, although he later became an official painter at Toledo Cathedral. His mastery of Italian techniques also served to provide him with numerous commissions.

He was interred in the Iglesia de San Luis, which he had designed.

Editorial summary

This brief starts where responsible research should: with the source description of “José Jiménez Donoso” as painter (c.1632-1690). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1632, 1690, 1649—that can be checked directly. The linked authority record independently contributes the date 1632. The account is most persuasive where José, Jiménez and Donoso can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as painter (c.1632-1690). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 26, 2026. The linked authority identifier is Q9013948. VIAF identifies the subject as 95884612. The Library of Congress control number is no2015073841. 3 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1632, 1690 and 1649.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  1. Establish the record: confirm the title “José Jiménez Donoso”, its source revision and the description used here.
  2. Expand the search: follow José Jiménez Donoso primary sources, José Jiménez Donoso archive and José research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “José Jiménez Donoso” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.