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John Addison

British composer (1920–1998)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 23, 2026
Entity authorityQ1699098
Source-derived summary

John Mervyn Addison (16 March 1920 – 7 December 1998) was a British composer best known for his film scores.

Early life

Addison was born in Chobham, Surrey to a father who was a colonel in the Royal Field Artillery, and this influenced the decision to send him to school at Wellington College, Berkshire. His grandfather was Lieut-Colonel George Addison, who played for the Royal Engineers in the 1872 and 1874 FA Cup Finals.

At the age of sixteen he entered the Royal College of Music, where he studied composition with Gordon Jacob, oboe with Léon Goossens, and clarinet with Frederick Thurston. This education ended in 1939 with service in World War II. Addison served with the British XXX Corps in the 23rd Hussars. He was a tank officer in the Battle of Normandy and wounded at Caen, later participating in Operation Market Garden. Addison would later write the score for the film A Bridge Too Far about the operation. At the end of the war, he returned to London to teach composition at the Royal College of Music.

Career

Addison is best known for his film scores. He won an Academy Award for Best Original Score and a Grammy Award in the Best Original Score from a Motion Picture or Television Show category for the music to the 1963 film, Tom Jones.

Editorial summary

This brief starts where responsible research should: with the source description of “John Addison” as british composer (1920–1998). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1920, 1998, 1872, 1874—that can be checked directly. The linked authority record independently contributes the date 1920-03-16. The account is most persuasive where John, Addison and British can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as british composer (1920–1998). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Sep 23, 2026. The linked authority identifier is Q1699098. VIAF identifies the subject as 19651801. The Library of Congress control number is n85038195. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1920, 1998, 1872 and 1874.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “John Addison”, its source revision and the description used here.
  2. Expand the search: follow John Addison primary sources, John Addison archive and John research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “John Addison”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from John Addison” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.