John Frizzell (composer)
American composer

John Frizzell (born 1966) is an American film and television composer, known for his work with Mike Judge. He scored Judge's films Beavis and Butt-Head Do America, Office Space, and Beavis and Butt-Head Do the Universe (2022). He also composed the music for Mike Judge's television sitcom King of the Hill. John Frizzell has composed the film scores for over sixty films, over the course of his over three-decade-long career.
Film scores
1995
Whose Daughter Is She?
It Was Him or Us
1996
Deadly Pursuits
Undertow
Red Ribbon Blues
Beavis and Butt-Head Do America
The Rich Man's Wife
Crime of the Century
The Empty Mirror
1997
Opposite Corners
Dante's Peak
Alien Resurrection
1998
Mafia! (as Gianni Frizzelli)
I Still Know What You Did Last Summer
1999
Office Space
Teaching Mrs.
The public source identifies “John Frizzell (composer)” as american composer. This brief keeps that definition visible, then builds a research path around John, Frizzell and composer.
Why this record matters
A short description can identify a subject without explaining its stakes. For “John Frizzell (composer)”, the useful work is to connect “american composer” to the records capable of establishing context and consequence.
The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 7, 2026. The linked authority identifier is Q331664. VIAF identifies the subject as 14969619. The Library of Congress control number is no2002109529. 3 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1966, 2022, 1995 and 1996.
A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “John Frizzell (composer)”, its source revision and the description used here.
- Expand the search: follow John Frizzell (composer) primary sources, John Frizzell (composer) archive and John research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “John Frizzell (composer)”?
- Which claims depend on a single source or contested interpretation?
- How has the subject’s reputation changed across later accounts?
Search terms from this dossier
This entry incorporates text from “John Frizzell (composer)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.