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Syracuse Stage

non-profit Performing arts theater in Syracuse, New York

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ11308273 ↗
Source-derived summary

Syracuse Stage is a professional non-profit theater company in Syracuse, New York, United States. It is the premier professional theater in Central New York. Each year, it offers several productions, including multiple collaborations between Syracuse Stage and the drama department of the Syracuse University College of Visual and Performing Arts.

Syracuse Stage is a constituent of the Theatre Communications Group and a member of the League of Resident Theatres, the University Hill Corporation, the Arts and Cultural Leadership Alliance, and the East Genesee Regent Association.

History

The Syracuse Stage was founded in 1974 by Arthur Storch, who became its first artistic director. The company grew out of the Syracuse Repertory Theatre that was founded in the mid-1960s by founders Marlow G. Burt, Robert B. D'Angelo and Rex Henriot. The Repertory Theatre started trial seasons in 1964 and began its first official season in 1967 in a building formerly occupied by the Reagent movie theater.

The archbold theater was built in 1980. The facility named after John Dana Archbold (University trustee 1976—1993 and the grandson of John D. Archbold), cost $1.3 million.

In the early 1990s, Tazewell Thompson was artistic director.

Editorial summary

“Syracuse Stage” enters the record as non-profit Performing arts theater in Syracuse, New York. Crown Archives preserves that source wording while asking what Syracuse, Stage and non-profit can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1974, 1964, 1967, 1980—that can be checked directly. The linked authority record independently contributes the date 1974. Its strongest next move is a source search built around Syracuse, Stage and non-profit.
Editorial analysis

Why this record matters

“Syracuse Stage” is worth following because a concise public description often conceals a longer documentary argument. Here, Syracuse, Stage and non-profit provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q11308273. Authority coordinates are 43.047, -76.138. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1974, 1964, 1967 and 1980.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Syracuse Stage”, its source revision and the description used here.
  2. Expand the search: follow Syracuse Stage primary sources, Syracuse Stage archive and Syracuse research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Syracuse Stage”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Syracuse Stage” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.