Josephine Pryde
artist (born 1967)

Josephine Pryde (born 1967 in Alnwick, Northumberland) is an English artist. In 2010, reviewing a show of Pryde's work which featured "seven colour photographs of extreme close-ups of clothing on a body, and four sculptures made from half-finished woven baskets and metal butcher’s hooks," the reviewer Dan Fox said that the work "seemed somewhat aloof," adding his opinion that "there was a healthy cynicism here perhaps worth listening to." On 27 May 2011, an exhibition of Pryde's photographs – titled Embryos and Estate Agents: L'Art de Vivre – went on display at the Chisenhale Gallery in East London.
In 2016 she was one of the four artists short-listed for the Turner Prize.
Pryde lives and works in Berlin, Germany and teaches photography at the Kunstakademie Düsseldorf.
The New Media Express In A Temporary Siding (Baby Wants To Ride)
The New Media Express In A Temporary Siding (Baby Wants To Ride) is an installation sculpture nominated for the Turner Prize in 2016 - here presented under the show Lapses In Thinking By The Person I Am - consisting of a model cargo, with a Class 66 diesel locomotive and DB Schenker carriages, in an elevated state. The train is inscribed by graffiti hailing from artists from all of the cities it has been exhibited in. The work is conceptual on a multitude of art history layers and could so be portraited as a time-travel-train. Further studies makes claim of the train to be on a journey to the moon.
Pryde is represented by Reena Spaulings Fine Art and Galerie Neu in Berlin. Her work is in the collection of the Museum of Metropolitan Art, The Art Institute of Chicago, MUDAM The Contemporary Art Museum of Luxembourg, Fonds National d'Art Contemporain, FRAC Lorraine, Stedelijk Museum, Tate Britain, British Council, Museum of Modern Art New York and MOCA Los Angeles.
Begin with the source’s own compact description: “Josephine Pryde” is artist (born 1967). The dossier treats that line as a proposition to test through Josephine, Pryde and artist, not as a finished interpretation.
Why this record matters
The phrase “artist (born 1967)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Apr 10, 2026. The linked authority identifier is Q6288431. VIAF identifies the subject as 45213588. The Library of Congress control number is n2002162874. 1 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1967, 2010, 2011 and 2016.
A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Josephine Pryde”, its source revision and the description used here.
- Expand the search: follow Josephine Pryde primary sources, Josephine Pryde archive and Josephine research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Josephine Pryde”?
- How has the subject’s reputation changed across later accounts?
- Which primary records establish identity, chronology and institutional ties?
Search terms from this dossier
This entry incorporates text from “Josephine Pryde” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.