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Jin Ping Mei

1610 Chinese naturalistic novel

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 31, 2026
Entity authorityQ753535 ↗
Source-derived summary

Jin Ping Mei (Chinese: 金瓶梅)—translated into English as The Plum in the Golden Vase or The Golden Lotus—is a Chinese novel of manners composed in vernacular Chinese during the latter half of the 16th century during the late Ming dynasty (1368–1644). Consisting of 100 chapters, it was published under the pseudonym Lanling Xiaoxiao Sheng (蘭陵笑笑生), "The Scoffing Scholar of Lanling," but the only clue to the actual identity is that the author hailed from Lanling County in present-day Shandong. The novel circulated in manuscript as early as 1596, and may have undergone revision up to its first printed edition in 1610. The most widely read recension, edited and published with commentaries by Zhang Zhupo in 1695, deleted or rewrote passages to help understand the author's intentions.

The explicit depiction of sexuality garnered the novel a notoriety akin to Lady Chatterley's Lover and Lolita in the West, but critics such as the translator David Tod Roy see a “firm moral structure” which “exacts retribution for the sexual libertinism of the central characters”.

Jin Ping Mei takes its name from the three central female characters—Pan Jinlian (潘金蓮, whose given name means "Golden Lotus"); Li Ping'er (李瓶兒, literally "Little Vase"), a concubine of Ximen Qing; and Pang Chunmei (龐春梅, "Spring plum blossoms"), a young maid who rose to power within the family. Chinese critics see each of the three Chinese characters in the title as symbolizing an aspect of human nature, such as mei (梅), plum blossoms, being metaphoric for sexuality.

David Tod Roy calls the novel "a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context ... noted for its surprisingly modern technique" and "with the possible exception of The Tale of Genji (c. 1010) and Don Quixote (1605, 1615), there is no earlier work of prose fiction of equal sophistication in world literature." Jin Ping Mei is considered one of the six classics of Chinese novels.

Editorial summary

“Jin Ping Mei” enters the record as 1610 Chinese naturalistic novel. Crown Archives preserves that source wording while asking what Ping, Chinese and naturalistic can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1368, 1644, 1596, 1610—that can be checked directly. The linked authority record independently contributes the date 1610. Its strongest next move is a source search built around Ping, Chinese and naturalistic.
Editorial analysis

Why this record matters

“Jin Ping Mei” is worth following because a concise public description often conceals a longer documentary argument. Here, Ping, Chinese and naturalistic provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 31, 2026. The linked authority identifier is Q753535. VIAF identifies the subject as 184256455. The Library of Congress control number is n81118499. 3 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1368, 1644, 1596 and 1610.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Jin Ping Mei”, its source revision and the description used here.
  2. Expand the search: follow Jin Ping Mei primary sources, Jin Ping Mei archive and Ping research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Jin Ping Mei”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Jin Ping Mei” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.