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Jean-Benjamin de La Borde

French composer, patron, writer and fermier général (1734–1794)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 26, 2026
Entity authorityQ932694
Source-derived summary

Jean-Benjamin François de la Borde (5 September 1734 – 22 July 1794) was a French composer, writer on music and fermier général (farm tax collector). Born into an aristocratic family, he studied violin under Antoine Dauvergne and composition under Jean-Philippe Rameau. From 1762 to 1774, he served at the court of Louis XV as premier valet de la chambre, losing his post on the death of the king. He wrote many operas, mostly comic, and a four-volume collection of songs for solo voice, Choix de chansons mises en musique illustrated by Jean-Michel Moreau. Many of the songs from the collection were later published individually through the efforts of the English folksong collector Lucy Etheldred Broadwood. His Essai sur la musique ancienne et moderne was published in 1780. La Borde was guillotined during the French Revolution in 1794.

Operas

In popular culture

La Borde's role at court is embellished in a fictional book series about police commissioner "Nicolas Le Floch" by Jean-François Parot. The stories have also been adapted for a television series in which La Borde appears regularly.

He is portrayed by Benjamin Lavernhe in 2023 film Jeanne du Barry.

Editorial summary

Begin with the source’s own compact description: “Jean-Benjamin de La Borde” is french composer, patron, writer and fermier général (1734–1794). The dossier treats that line as a proposition to test through Jean-Benjamin, Borde and French, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1734, 1794, 1762, 1774—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Jean-Benjamin, Borde and French is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “french composer, patron, writer and fermier général (1734–1794)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 26, 2026. The linked authority identifier is Q932694. The first chronological checks are 1734, 1794, 1762 and 1774.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Jean-Benjamin de La Borde”, its source revision and the description used here.
  2. Expand the search: follow Jean-Benjamin de La Borde primary sources, Jean-Benjamin de La Borde archive and Jean-Benjamin research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Jean-Benjamin de La Borde”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Jean-Benjamin de La Borde” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.