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Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future

album by Guru

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 11, 2026
Entity authorityQ944032 ↗
Source-derived summary

Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future is the sixth solo studio album by American hip hop musician Guru. It was released on July 31, 2007 via 7 Grand Records, making it the fourth and final installment in the rapper's Jazzmatazz series. Production was handled entirely by Solar, who also served as executive producer together with Guru. It features guest appearances from Blackalicious, Bobby Valentino, Bob James, Caron Wheeler, Common, Damian Marley, David Sanborn, Dionne Farris, Kem, Brownman Ali, Omar, Raheem DeVaughn, Ronnie Laws, Shelley Harland and Vivian Green.

A video for the song "State of Clarity" includes clips from the movie Fritz the Cat.

Track listing

Charts

References

External links

Jazzmatazz Vol.

Editorial summary

The public source identifies “Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future” as album by Guru. This brief keeps that definition visible, then builds a research path around Guru's, Jazzmatazz and Jazz.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2007—that can be checked directly. The linked authority record independently contributes the date 2007. Its value is orientation rather than verdict, with Guru's, Jazzmatazz and Jazz providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future”, the useful work is to connect “album by Guru” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 11, 2026. The linked authority identifier is Q944032. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2007.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future”, its source revision and the description used here.
  2. Expand the search: follow Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future primary sources, Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future archive and Guru's research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.