One Hundred and One Dalmatians
1961 animated film directed by Hamilton Luske, Clyde Geronimi, and Wolfgang Reitherman

One Hundred and One Dalmatians (also known as 101 Dalmatians) is a 1961 American animated adventure comedy film produced by Walt Disney Productions with distribution by Buena Vista Distribution. Adapted from Dodie Smith's 1956 novel The Hundred and One Dalmatians, the film was directed by Hamilton Luske, Clyde Geronimi, and Wolfgang Reitherman in his feature-length directorial debut, from a script by Bill Peet. It features the voice talents of Rod Taylor, J. Pat O'Malley, Betty Lou Gerson, Martha Wentworth, Ben Wright, Cate Bauer, Dave Frankham, and Fred Worlock. The film's plot follows Pongo and Perdita, two London-based Dalmatians who give birth to a litter of fifteen puppies, who are later kidnapped by the obsessive socialite Cruella de Vil, wanting to make their fur into coats. Pongo and Perdita set out on a cross-country rescue mission to save the litter from the maniacal Cruella. They rescue 84 additional Dalmatians in the process, bringing the total to 101.
One Hundred and One Dalmatians was released in theaters on January 25, 1961, to positive reviews from critics and was a box-office success, grossing $14 million domestically in its original theatrical run. It became the first animated feature to earn over $10 million during its initial release, and became the eighth-highest-grossing film of the year in the North American box office and the highest-grossing animated film when reissues of films are not counted. Aside from its box-office revenue, the employment of inexpensive animation techniques, such as using xerography during the process of inking and painting traditional animation cels, kept production costs down. Counting reissues, the film grossed $303 million worldwide, and when adjusted for inflation, is the twelfth-highest-grossing film in the North American box office and the second-highest-grossing animated film globally, as well as being the sixth-highest-selling animated film since 1959 at an estimate of over 199,800,000 sold tickets.
“One Hundred and One Dalmatians” enters the record as 1961 animated film directed by Hamilton Luske, Clyde Geronimi, and Wolfgang Reitherman. Crown Archives preserves that source wording while asking what Hundred, Dalmatians and animated can confirm, complicate or overturn.
Why this record matters
“One Hundred and One Dalmatians” is worth following because a concise public description often conceals a longer documentary argument. Here, Hundred, Dalmatians and animated provides the most credible route into that argument.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 17, 2026. The linked authority identifier is Q165512. VIAF identifies the subject as 228354367. The Library of Congress control number is no97014788. 3 of 6 selected statements include explicit references; 3 carry qualifiers and 1 use preferred rank. The first chronological checks are 1961, 1956 and 1959.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “One Hundred and One Dalmatians”, its source revision and the description used here.
- Expand the search: follow One Hundred and One Dalmatians primary sources, One Hundred and One Dalmatians archive and Hundred research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “One Hundred and One Dalmatians”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “One Hundred and One Dalmatians” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.