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John Beal (actor)

American actor (1909-1997)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ3181015
Source-derived summary

John Beal (born James Alexander Bliedung, August 13, 1909 – April 26, 1997) was an American actor.

Early life

Beal was born James Alexander Bliedung in Joplin, Missouri. His father had a department store and Beal went to the Wharton School of the University of Pennsylvania "mapped for a commercial career." While at Wharton, Beal (who enrolled under his real name, James Alexander Bliedung) spent time drawing cartoons for the school's humor magazine and singing in productions of the Mask and Wig club.

Stage

Soon after graduating from college in 1930, Beal began acting with the Hedgerow Theatre. Beal originally went to New York to study at the Art Students League of New York. A chance to understudy in a play made him change his mind. He went on to appear in Russet Mantle and She Loves Me. Beal's Broadway credits include Three Men on a Horse (1993), The Seagull (1992), The Master Builder (1992), A Little Hotel on the Side (1992), The Crucible (1991), The Changing Room (1973), The Candyapple (1970), Our Town (1969), In the Matter of J. Robert Oppenheimer (1969), Billy (1969), Calculated Risk (1962), The Teahouse of the August Moon (1953), Leonard Sillman's New Faces of 1952 (1952), The Voice of the Turtle (1943), Liberty Jones (1941), I Know What I Like (1939), Miss Swan Expects (1939), Soliloquy (1938), Russet Mantle (1936), She Loves Me Not (1933), Another Language (1933), Another Language (1932), Wild Waves (1932), and No More Frontier (1931).

Film

Beal began acting in films with Another Language (1933), in which he recreated his stage role. He appeared opposite Katharine Hepburn (in the 1934 RKO film The Little Minister), among others; one of his notable screen appearances was as Marius Pontmercy in Les Misérables (1935).

Editorial summary

Begin with the source’s own compact description: “John Beal (actor)” is american actor (1909-1997). The dossier treats that line as a proposition to test through John, Beal and actor, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1909, 1997, 1930, 1993—that can be checked directly. The linked authority record independently contributes the date 1909-08-13. For this dossier, John, Beal and actor is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “american actor (1909-1997)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q3181015. VIAF identifies the subject as 65497065. The Library of Congress control number is n86140000. 2 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1909, 1997, 1930 and 1993.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “John Beal (actor)”, its source revision and the description used here.
  2. Expand the search: follow John Beal (actor) primary sources, John Beal (actor) archive and John research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “John Beal (actor)”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from John Beal (actor)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.