CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Jalsaghar

1958 film by Satyajit Ray

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 7, 2026
Entity authorityQ640208
Source-derived summary

Jalsaghar (Bengali: জলসাঘর Jalsāghar, lit. 'The Music Room') is a 1958 Indian Bengali drama film written and directed by Satyajit Ray, based on a popular short story by Bengali writer Tarasankar Bandyopadhyay, and starring Chhabi Biswas. The fourth of Ray's feature films, it was filmed at Nimtita Raajbari in Nimtita, Murshidabad district.

Despite an initially poor critical reception in India, the film went on to win the Presidential Award for Best Film in New Delhi, and it played a significant role in establishing Ray's international reputation as a director. It has since gained near-universal critical acclaim, and has come to be regarded by the cinema community as one of the greatest films of all time.

Plot

In the early twentieth century, Biswambhar Roy is a Bengali zamindar (landlord) in decline who lives in a palace that is empty except for a servant and his steward. The music from the coming of age ceremony for the son of Biswambhar's nouveau-riche businessman neighbor, Mahim Ganguly, makes Biswambhar think back to when his only son, Khoka, went through the same ceremony. As he preferred to arrange lavish public concerts in his music room, instead of tending to his flood-damaged lands and keeping up with the changing times, Biswambhar's coffers were empty, so, to keep up appearances, he had to sell some of his (and his wife Mahamaya's) jewels to pay for the party, which included a performance by a thumri singer.

While Mahamaya and Khoka, who wanted to be just like his father, were away visiting Mahamaya's sick father, Mahim invited Biswambhar to a New Year's celebration at his new house, which has an electric generator. Not wanting to be outdone by a commoner, Biswambhar said he already had a celebration planned for that day at his palace. He sent word for Mahamaya and Khoka to return, sold some more jewels, and hastily found an available khyal singer.

Editorial summary

The public source identifies “Jalsaghar” as 1958 film by Satyajit Ray. This brief keeps that definition visible, then builds a research path around Jalsaghar, film and Satyajit.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1958—that can be checked directly. The linked authority record independently contributes the date 1958-10-10. Its value is orientation rather than verdict, with Jalsaghar, film and Satyajit providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Jalsaghar”, the useful work is to connect “1958 film by Satyajit Ray” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 7, 2026. The linked authority identifier is Q640208. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1958.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Jalsaghar”, its source revision and the description used here.
  2. Expand the search: follow Jalsaghar primary sources, Jalsaghar archive and Jalsaghar research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Jalsaghar”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Jalsaghar” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.