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Jacques Sarazin

French artist (1592–1660)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 23, 2026
Entity authorityQ1347676
Source-derived summary

Jacques Sarazin or Sarrazin (French pronunciation: [ʒak saʁazɛ̃]; baptised 8 June 1592 – died 3 December 1660 in Paris) was a French sculptor in the classical tradition of Baroque art. He was instrumental in the development of the Style Louis XIV through his own work as well as through his many pupils. Nearly all his work as a painter was destroyed and is only known through engravings.

Life

Sarazin was born in Noyon, France, and went to Paris with his brother, where he trained in the workshop of Nicolas Guillain. He went to Rome in 1610 and remained there until 1628. While in Rome, he produced garden sculpture for Cardinal Aldobrandini's Villa Aldobrandini in Frascati (c. 1620). From 1622 to 1627, he carried out stucco work to accompany the paintings of Domenichino on the high altar of Sant'Andrea della Valle and in San Lorenzo in Miranda.

In 1628 he returned to Paris, where, in 1631, he married a niece of the painter Simon Vouet, whom he had met in Rome and for whom he had created some angels in stucco to frame his altarpiece in Saint-Nicolas-des-Champs, Paris.

Appointed Sculpteur et peintre ordinaire du roi in 1631, Sarazin made a number of works for Louis XIII and his wife Anne of Austria, particularly portraits and tomb sculpture, most of which were later destroyed.

Editorial summary

This brief starts where responsible research should: with the source description of “Jacques Sarazin” as french artist (1592–1660). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1592, 1660, 1610, 1628—that can be checked directly. The linked authority record independently contributes the date 1592-01-01. The account is most persuasive where Jacques, Sarazin and French can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as french artist (1592–1660). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Jul 23, 2026. The linked authority identifier is Q1347676. VIAF identifies the subject as 76585104. The Library of Congress control number is nr93029030. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1592, 1660, 1610 and 1628.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Jacques Sarazin”, its source revision and the description used here.
  2. Expand the search: follow Jacques Sarazin primary sources, Jacques Sarazin archive and Jacques research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Jacques Sarazin”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from Jacques Sarazin” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.