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Jacques Gamelin

French painter (1738-1803)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 24, 2026
Entity authorityQ1677984
Source-derived summary

Jacques Gamelin (October 3, 1738 – October 12, 1803) was an artist born in Carcassonne, France, the son of a successful merchant. After receiving an education from the Jesuits, he went into the service of Nicolas Joseph de Marcassus, baron de Puymaurin (1718–1791), a wealthy industrialist of Toulouse, to learn the ways of business. Puymaurin quickly saw that his young assistant had little talent or interest in business but showed great promise as an artist. Gamelin's father rejected Puymaurin's suggestion that Jacques be sent to an art academy, so the baron paid his way at the Académie royale de Toulouse himself. After five years study, Jacques Gamelin won the Académie's first prize and he went to Paris to continue his studies. Gamelin later went to Rome with Puymaurin's financial assistance to study under Jacques-Louis David and Joseph-Marie Vien and eventually became a painter to Pope Clement XIV. On the death of his father, which left Jacques a wealthy man, he returned to Toulouse where he taught at the Académie. He is most known today for his paintings and engravings of battle scenes, which can be found in art museums throughout France. Jacques Gamelin died in Carcassonne on October 12, 1803.

When Jacques Gamelin returned to France after his father's death, he undertook his great work, Nouveau recueil d'ostéologie et de myologie, most likely funding its publication using some of his great inheritance. The work is known for its display of both talent and imagination, with striking scenes of the Resurrection, the Crucifixion, and skeletons at play.

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This brief starts where responsible research should: with the source description of “Jacques Gamelin” as french painter (1738-1803). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1738, 1803, 1718, 1791—that can be checked directly. The linked authority record independently contributes the date 1738-10-03. The account is most persuasive where Jacques, Gamelin and French can be independently traced.
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The subject matters to the general reference register because the source frames it as french painter (1738-1803). Its deeper value depends on whether names, dates, institutions and citations support that framing.

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Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Apr 24, 2026. The linked authority identifier is Q1677984. VIAF identifies the subject as 44307158. The Library of Congress control number is n84178564. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1738, 1803, 1718 and 1791.

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This entry incorporates text from Jacques Gamelin” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.