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Itaya Hazan

Japanese ceramicist (1872-1963)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 3, 2026
Entity authorityQ11532716 ↗
Source-derived summary

Itaya Hazan (Japanese: 板谷波山, 1872—1963) was a Japanese artist widely regarded as a pioneer of modern Japanese ceramics.

Biography

Itaya Hazan was born in Shimodate, Ibaraki Prefecture, as Itaya Kashichi. His father was a soya sauce maker, and he was the youngest of eight children. His pseudonym, Hazan, meaning "wavy mountain", was inspired by the landscape of his native area. In 1889, he entered the Tokyo Art School, where he studied sculpture under Kōun Takamura and Tenshin Okakura. He later taught sculpture at the Ishikawa Prefectural Industrial School in Kanazawa. In 1898, the school closed, and Hazan started to study the traditional ceramics of China and eventually to work on ceramics. In the same year, he published a sketchbook titled Twelve Shapes of Ancient Ceramics, moved to Tokyo to the Tabata Artists and Writers Village, and started to work under the name Hazan. His assistant was Fukami Sanjiro, and, followed in 1910 by Genda Ichimatsu, who remained with Hazan until he died in 1963.

Before the 1900s, Japanese ceramics typically followed traditional patterns, and works were often unsigned.

Editorial summary

The public source identifies “Itaya Hazan” as japanese ceramicist (1872-1963). This brief keeps that definition visible, then builds a research path around Itaya, Hazan and Japanese.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1872, 1963, 1889, 1898—that can be checked directly. The linked authority record independently contributes the date 1872-04-10. Its value is orientation rather than verdict, with Itaya, Hazan and Japanese providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Itaya Hazan”, the useful work is to connect “japanese ceramicist (1872-1963)” to the records capable of establishing context and consequence.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Feb 3, 2026. The linked authority identifier is Q11532716. VIAF identifies the subject as 5796254. The Library of Congress control number is n81032410. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1872, 1963, 1889 and 1898.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from “Itaya Hazan” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.