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Italy in the Eurovision Song Contest

overview about Italy in the Eurovision Song Contest

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 14, 2026
Entity authorityQ729577 ↗
Source-derived summary

Italy has been represented at the Eurovision Song Contest 51 times since making its debut as one of only seven countries to compete at the first contest in 1956, which took inspiration from the Sanremo Music Festival. The Italian participating broadcaster in the contest is Radiotelevisione italiana (RAI). It competed at the contest without interruption until 1980, discontinuing its participation on a number of occasions during the 1980s and 1990s. After a 13-year absence starting in 1998, the country returned to the contest in 2011. Italy has won the contest three times, along with an additional 16 top-five finishes. Italy hosted the contest in Naples (1965), Rome (1991), and Turin (2022).

In 1958, "Nel blu, dipinto di blu" performed by Domenico Modugno finished third. Commonly known as "Volare", the song became a huge international hit, topping the US Billboard Hot 100 and winning two Grammy Awards at its first edition. "Uno per tutte" by Emilio Pericoli also finished third in 1963, before Italy won for the first time in 1964 with "Non ho l'età" by Gigliola Cinquetti. Cinquetti returned to the contest in 1974 and finished second with "Sì", losing to "Waterloo" by ABBA. Italy then finished third in 1975 with "Era" by Wess and Dori Ghezzi.

Editorial summary

“Italy in the Eurovision Song Contest” enters the record as overview about Italy in the Eurovision Song Contest. Crown Archives preserves that source wording while asking what Italy, Eurovision and Song can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1956, 1980, 1998, 2011—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Italy, Eurovision and Song.
Editorial analysis

Why this record matters

“Italy in the Eurovision Song Contest” is worth following because a concise public description often conceals a longer documentary argument. Here, Italy, Eurovision and Song provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 14, 2026. The linked authority identifier is Q729577. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1956, 1980, 1998 and 2011.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Italy in the Eurovision Song Contest”, its source revision and the description used here.
  2. Expand the search: follow Italy in the Eurovision Song Contest primary sources, Italy in the Eurovision Song Contest archive and Italy research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Italy in the Eurovision Song Contest”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Italy in the Eurovision Song Contest” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.