CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Ira H. Morgan

American cinematographer (1889–1959)

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 13, 2026
Entity authorityQ3154247 ↗
Source-derived summary

Ira Harry Morgan (2 April 1889 – 10 April 1959) was an American cinematographer. He successfully transitioned from silent movies to sound films.

Early years

Morgan broke in as a cameraman with Gaumont News, a pioneer of newsreels. Later he was behind the camera for Essanay, where the Broncho Billy western series was filmed at Niles Canyon, Alameda County in California. After Essanay discontinued production in 1918, Morgan joined director King Vidor.

Career

During his long career, Morgan worked extensively for major studios such as Paramount Pictures, Warner Bros., and Metro-Goldwyn-Mayer as well as independent producers. Notably, he worked with former Essanay colleague Roland Totheroh on Charles Chaplin's Modern Times (1936). Other credits included George W. Hill's Tell It to the Marines (1926) with Lon Chaney, James Cruze's Washington Merry-Go-Round (1932) with Lee Tracy, Michael Curtiz's Jimmy the Gent (1934) with James Cagney, Frank Buck's Tiger Fangs (1943), Johnny Doesn't Live Here Any More (1944), Jungle Jim (1948), The Lost Tribe (1949), Chain Gang (1950), and Revenue Agent (1950).

In 1944 Morgan was working for Monogram Pictures. His creative photography for the East Side Kids comedy Bowery Champs was noticed by the film's producer, Sam Katzman.

Editorial summary

This brief starts where responsible research should: with the source description of “Ira H. Morgan” as american cinematographer (1889–1959). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1889, 1959, 1918, 1936—that can be checked directly. The authority record carries competing date values—1889-04-02, 1892-04-02—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Morgan, American and cinematographer can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as american cinematographer (1889–1959). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Sep 13, 2026. The linked authority identifier is Q3154247. VIAF identifies the subject as 13381366. The Library of Congress control number is no90026918. 3 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1889, 1959, 1918 and 1936.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Ira H. Morgan”, its source revision and the description used here.
  2. Expand the search: follow Ira H. Morgan primary sources, Ira H. Morgan archive and Morgan research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ira H. Morgan”?
  2. What terminology or title could unlock a more precise catalogue search?
  3. Which cited source is closest to the event, object or claim?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Ira H. Morgan” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.