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Inversion (music)

musical term with meanings with respect to intervals, chords, voices, and melodies

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 3, 2026
Entity authorityQ137685
Source-derived summary

In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory.

Intervals

An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved.

The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augmented intervals, and vice versa.).

Traditional interval numbers add up to nine: seconds become sevenths and vice versa, thirds become sixths and vice versa, and so on. Thus, a perfect fourth becomes a perfect fifth, an augmented fourth becomes a diminished fifth, and a simple interval (that is, one that is narrower than an octave) and its inversion, when added together, equal an octave.

Editorial summary

Begin with the source’s own compact description: “Inversion (music)” is musical term with meanings with respect to intervals, chords, voices, and melodies. The dossier treats that line as a proposition to test through Inversion, music and musical, not as a finished interpretation.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current 236-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. For this dossier, Inversion, music and musical is the immediate research focus.
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The phrase “musical term with meanings with respect to intervals, chords, voices, and melodies” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

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Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jul 3, 2026. The linked authority identifier is Q137685. None of the 0 selected statements returned an explicit reference.

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Source & attribution

This entry incorporates text from Inversion (music)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.