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Ballroom tango

type of dance

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 21, 2026
Entity authorityQ3515130
Source-derived summary

Ballroom tango is a ballroom dance that branched away from its original Argentine and Uruguayan roots by allowing European, American, Hollywood, and competitive influences into the style and execution of the dance.

The present day ballroom tango is divided into two disciplines: American Style and International Style. Both styles may be found in social and competitive dances, but the International version is more globally accepted as a competitive style. Both styles share a closed dance position, but the American style allows its practitioners to separate from closed position to execute open moves, like underarm turns, alternate hand holds, dancing apart, and side-by-side choreography.

History

American style tango

American style tango's evolutionary path is derived from Argentina to the United States, when it was popularized by silent film star Rudolph Valentino in 1921, who demonstrated a highly stylized form of Argentine tango in The Four Horsemen of the Apocalypse. As a result, the Hollywood style steps mixed in with other social dance steps of the times began this branch away from the Argentine style. Meanwhile, the tango was also making its own inroads into Europe.

Following the English standardization of their version of tango, Arthur Murray, a ballroom dance instructor in the U.S., tried his own hand at standardizing the ballroom dances for instruction in his chain of social dance schools. This looser social style was referred to as American style by the English.

International style tango

In 1912 tango was introduced to British audiences, showcased in the successful musical comedy The Sunshine Girl.

Editorial summary

Begin with the source’s own compact description: “Ballroom tango” is type of dance. The dossier treats that line as a proposition to test through Ballroom, tango and type, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1921, 1912—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Ballroom, tango and type is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “type of dance” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated May 21, 2026. The linked authority identifier is Q3515130. The first chronological checks are 1921 and 1912.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Ballroom tango” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.