CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Classical Recordings Quarterly

Classical music magazine

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 9, 2026
Entity authorityQ5128308
Source-derived summary

Classical Recordings Quarterly (formerly Classic Record Collector) was a quarterly British magazine devoted to vintage recordings of classical music, across the range of instrumental recordings, chamber music, orchestral, vocal and opera.

Background

Based in London, the magazine was founded (as International Classical Record Collector) in 1995. The magazine contains articles about artists and their recordings from the start of recording history through to the 1960s. There is also a letters page, reviews of new DVD and CD issues of pre-digital material, new LP and 78 rpm repressings and books. The International Opera Collector was another quarterly supplement published at the same time.

Content

Extended articles on the Kingsway Hall and on William Barrington-Coupe's record labels appeared, as well as features on a wide range of artists such as Louis Cahuzac, Tancredi Pasero, Montserrat Caballé, the Ballets Russes, the Griller Quartet, Albert Spalding and Oskar Fried, as well as many others.

Alan Sanders served as editor for the first two years from 1995 to 1997, after which Tully Potter was editor until 2008 (when he became Contributing editor), when Sanders returned to edit the magazine.

Contributors

Classical Recordings Quarterly employed a network of reviewers mainly from the UK and the USA, along with regular columns by Shuichiro Kawai (Japan) 'Far Eastern Viewpoint', Norbert Hornig (Germany) 'Continental Report', and a 'Letter from America' by Mortimer H Frank. Contributors to the magazine, both past and present, include Kenneth Morgan, Duncan Druce, Max Loppert, Benjamin Ivry, John T Hughes, Igor Kipnis, Colin Anderson, Michael Oliver, Rob Cowan, Robert Matthew-Walker, David Patmore, Antony Hodgson and J.B. Steane, among many others.

The magazine was printed in A5 size, with colour photos, and each edition consists of around 100 pages.

Editorial summary

The public source identifies “Classical Recordings Quarterly” as classical music magazine. This brief keeps that definition visible, then builds a research path around Classical, Recordings and Quarterly.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1995, 1997, 2008—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Classical, Recordings and Quarterly providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Classical Recordings Quarterly”, the useful work is to connect “classical music magazine” to the records capable of establishing context and consequence.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jun 9, 2026. The linked authority identifier is Q5128308. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1995, 1997 and 2008.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Classical Recordings Quarterly”, its source revision and the description used here.
  2. Expand the search: follow Classical Recordings Quarterly primary sources, Classical Recordings Quarterly archive and Classical research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Classical Recordings Quarterly”?
  2. Which institution is responsible for the underlying evidence?
  3. What terminology or title could unlock a more precise catalogue search?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Classical Recordings Quarterly” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.