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Ubermorgen

artist duo

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 21, 2026
Entity authorityQ7876490
Source-derived summary

UBERMORGEN is a Swiss-Austrian digital art duo founded in 1995 by Liz Haas, known as lizvlx, and Luzius Bernhard, also credited in earlier works as Hans Bernhard. Emerging from the 1990s net.art and Internet art scenes, the duo became known for projects that combine conceptual art, media hacking, software, performance, installation and online intervention.

UBERMORGEN's work frequently uses the language and interfaces of corporations, legal systems, state institutions and online platforms. Their best-known projects include Voteauction (2000), an online intervention that presented itself as a marketplace for buying and selling votes during the 2000 United States presidential election; the EKMRZ Trilogy, consisting of Google Will Eat Itself, Amazon Noir and The Sound of eBay; and later works involving machine learning, blockchain systems and artificial intelligence.

The duo live and work in Basel, S-chanf near St. Moritz and Vienna. Haas and Bernhard have taught at the Academy of Media Arts Cologne and are professors in the Digital Arts department at the University of Applied Arts Vienna.

History and work

Early net.art and online work

UBERMORGEN originated in the 1990s context of net.art, a loose international movement of artists working directly with the Internet as artistic medium, distribution channel and social space. Their early projects were shown primarily online and were connected to the broader development of Internet art and digital art in Europe and North America.

Luzius Bernhard was also involved with etoy, whose campaigns and online actions became important reference points for later forms of tactical media and Internet-based cultural intervention.

Editorial summary

Begin with the source’s own compact description: “Ubermorgen” is artist duo. The dossier treats that line as a proposition to test through Ubermorgen and artist, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1995, 2000—that can be checked directly. The linked authority record independently contributes the date 1995. For this dossier, Ubermorgen and artist is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “artist duo” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Jul 21, 2026. The linked authority identifier is Q7876490. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1995 and 2000.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Ubermorgen”, its source revision and the description used here.
  2. Expand the search: follow Ubermorgen primary sources, Ubermorgen archive and Ubermorgen research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ubermorgen”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
Subject index

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Source & attribution

This entry incorporates text from Ubermorgen” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.