CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Ingram Collection of Modern British Art

collection of Modern British art in Woking, England. Loaned to different galleries

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 17, 2026
Entity authorityQ6033025 ↗
Source-derived summary

The Ingram Collection of Modern British Art is one of the largest and most significant publicly accessible collections of Modern British art in the UK, available to all through a programme of loans and exhibitions. The collection was created by media entrepreneur and philanthropist Chris Ingram. Ingram has been described as “one of the most active and thoughtful collectors of Modern British Art today.”

Robert Upstone (former director of The Fine Art Society and Tate curator) considers the collection to have been "created with exemplary visual flair and an unerring eye for quality". The collection comprises 650 artworks of which over 400 are by the most important artists of the Modern British era, among these Dame Elisabeth Frink, Dame Barbara Hepworth and Sir Eduardo Paolozzi.

The collection

The collection spans over a hundred years of British art and includes works in oil and on paper, sculptures, installations and videos. The main focus of the collection is on the art movements which developed in the early and middle decades of the 20th century, art which responded to the influence of the two world wars, and art which challenged the usual and the regular. The collection features a broad base of artists with particularly strong groups of works by William Roberts, Edward Burra, Keith Vaughan, John Tunnard, John Craxton, and Richard Eurich. The sculpture holdings are significant, featuring works by artists such as, amongst others, Robert Adams, Kenneth Armitage, Reg Butler, Lynn Chadwick, Geoffrey Clarke, Robert Clatworthy, Sir Jacob Epstein, Eric Gill, Bernard Meadows, Eduardo Paolozzi, William Turnbull and Leon Underwood. The collection includes watercolour works by artists such as Eileen Agar, John Craxton, Mary Fedden, Elizabeth Frink, Terry Frost, David Remfry and Keith Vaughan.

The Ingram Collection also includes contemporary art, holding works by young and emerging artists as well as those who have now gained international reputations: Haroon Mirza, Suki Chan and Alexander Hoda.

Editorial summary

The public source identifies “Ingram Collection of Modern British Art” as collection of Modern British art in Woking, England. Loaned to different galleries. This brief keeps that definition visible, then builds a research path around Ingram, Modern and British.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current 314-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The linked authority record independently contributes the date 2002-01-01. Its value is orientation rather than verdict, with Ingram, Modern and British providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Ingram Collection of Modern British Art”, the useful work is to connect “collection of Modern British art in Woking, England. Loaned to different galleries” to the records capable of establishing context and consequence.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jun 17, 2026. The linked authority identifier is Q6033025. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Ingram Collection of Modern British Art”, its source revision and the description used here.
  2. Expand the search: follow Ingram Collection of Modern British Art primary sources, Ingram Collection of Modern British Art archive and Ingram research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ingram Collection of Modern British Art”?
  2. Which institution is responsible for the underlying evidence?
  3. What terminology or title could unlock a more precise catalogue search?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Ingram Collection of Modern British Art” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.