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In the Midst of Beauty

album by Michael Schenker Group

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2025
Entity authorityQ6012518 ↗
Source-derived summary

In the Midst of Beauty is the thirteenth full-length studio album recorded by the various M.S.G. lineups and the tenth studio album by the Michael Schenker Group (MSG). The album was released on 13 May 2008 and marked the comeback of the original MSG singer, Gary Barden, so the MSG name is added with Schenker - Barden on the album's cover.

By Schenker's own notes to the CD, "This title came about through my experience and realisation that - in the midst of beauty - the beast is always waiting and ready to attack...".

Editorial summary

Begin with the source’s own compact description: “In the Midst of Beauty” is album by Michael Schenker Group. The dossier treats that line as a proposition to test through Midst, Beauty and album, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2008—that can be checked directly. The linked authority record independently contributes the date 2008. For this dossier, Midst, Beauty and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Michael Schenker Group” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 30, 2025. The linked authority identifier is Q6012518. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2008.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “In the Midst of Beauty”, its source revision and the description used here.
  2. Expand the search: follow In the Midst of Beauty primary sources, In the Midst of Beauty archive and Midst research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “In the Midst of Beauty”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “In the Midst of Beauty” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.