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In Old Santa Fe

1934 film by David Howard, Joseph Kane

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 20, 2026
Entity authorityQ518607
Source-derived summary

In Old Santa Fe is a 1934 American Western film directed by David Howard, starring Ken Maynard, George "Gabby" Hayes and Evalyn Knapp and featuring the first screen appearance of Gene Autry, singing a bluegrass rendition of "Wyoming Waltz" accompanied by his own acoustic guitar with Smiley Burnette on accordion. Autry and Burnette were uncredited, but the scene served as a screen test for the duo for subsequent singing cowboy films, beginning with The Phantom Empire (1935), in which Autry had his first leading role.

Based on a story by Wallace MacDonald and John Rathmell, the film is about a cowboy who loses his horse in a rigged horse race and gets framed for the murder of a stagecoach driver. The film was shot on location in Kentucky and Keystone Studios in California.

Plot

A cowboy named Kentucky Ken (Ken Maynard) and his sidekick, Cactus (George "Gabby" Hayes), meet a beautiful woman named Lila Miller (Evalyn Knapp) when her car accidentally goes off the road. Lila's father, Charlie Miller (H. B. Warner), owns the dude ranch where Ken and Cactus intend to enter their prize horse Tarzan in a gruelling canyon race. Two other men, Chandler and Tracy, have also arrived for the race. They are also plotting to blackmail Charlie, who has a secret criminal past, for half of his gold mine and ranch operation earnings. Chandler also hopes that his blackmail scheme will force Charlie into granting him permission to marry Lila, who is showing a definite interest in Ken. Charlie refuses to be bullied, however, and claims he was innocent of the crime Chandler is trying to blackmail him for.

Editorial summary

Begin with the source’s own compact description: “In Old Santa Fe” is 1934 film by David Howard, Joseph Kane. The dossier treats that line as a proposition to test through Santa, film and David, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1934, 1935—that can be checked directly. The linked authority record independently contributes the date 1934-01-01. For this dossier, Santa, film and David is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1934 film by David Howard, Joseph Kane” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Feb 20, 2026. The linked authority identifier is Q518607. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1934 and 1935.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “In Old Santa Fe”, its source revision and the description used here.
  2. Expand the search: follow In Old Santa Fe primary sources, In Old Santa Fe archive and Santa research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “In Old Santa Fe”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from In Old Santa Fe” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.