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The Triumph of Hercules

1964 film directed by Alberto De Martino

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 4, 2026
Entity authorityQ1199652 ↗
Source-derived summary

The Triumph of Hercules, the 1964 film, was one of many Italian sword and sandal epics during the 1960s craze. Originally titled Il Trionfo di Ercole, the film was directed by Alberto De Martino. Hercules was portrayed by Dan Vadis.

The film was released internationally as Hercules vs the Giant Warriors, and also as Hercules and the Ten Avengers.

Plot

Hercules is called upon to fight seven golden giants summoned by the Dagger of Jae, sister of Juno (Hera), who dislikes Hercules "for certain family reasons." Hercules also fights to protect his princess love, but matters are complicated by her evil relative Milo, who has murdered her father the king but has tricked her into thinking it was someone else because she trusts him too much. Milo tricks Hercules into killing his friend, for which he is punished by his father Jove (Jupiter/Zeus) who takes away his enormous strength, because he has misused it. Milo is conspiring with his sorceress mother to take the throne for himself.

Now only as strong as a mortal man, Hercules is overpowered when he tries to rescue the princess Ate (pronounced Ah-tay) from Milo and is then accused of being a fraud. Milo tries to kill both Hercules and Ate by chaining them to a giant wooden lever with spikes, complete with a cage over Hercules which he must support while rocks are piled on him: if he can hold it up, then he will prove himself the true Hercules (which he is) but if not, then he will be guilty and he and Ate will die together for conspiring to steal the throne and give it to an imposter.

As the weight of the stones and rocks drive the de-powered Hercules to his knees, he sincerely begs his father Jove to let him die if it is his destiny but to spare Ate who is innocent.

Editorial summary

Begin with the source’s own compact description: “The Triumph of Hercules” is 1964 film directed by Alberto De Martino. The dossier treats that line as a proposition to test through Triumph, Hercules and film, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1964—that can be checked directly. The linked authority record independently contributes the date 1964-01-01. For this dossier, Triumph, Hercules and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1964 film directed by Alberto De Martino” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Mar 4, 2026. The linked authority identifier is Q1199652. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1964.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Triumph of Hercules”, its source revision and the description used here.
  2. Expand the search: follow The Triumph of Hercules primary sources, The Triumph of Hercules archive and Triumph research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Triumph of Hercules”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “The Triumph of Hercules” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.