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Ian A. Anderson

English magazine editor, folk musician and broadcaster

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 24, 2026
Entity authorityQ5980720 ↗
Source-derived summary

Ian A. Anderson (born 26 July 1947) is an English magazine editor, folk musician and broadcaster.

Early career and The Village Thing

Anderson first performed in his home town of Weston-super-Mare as a member of the Backwater Jook Band and came to prominence as a member of the Bristol based country blues scene of the mid to late 1960s, performing live and on record, both solo, with Al Jones and Elliott Jackson as the trio "Anderson Jones Jackson", and as a duo with Mike Cooper. The middle initial was added at a later date to avoid confusion with Ian Anderson of the band Jethro Tull.

After two EPs, he recorded his first album, Stereo Death Breakdown, as Ian Anderson’s Country Blues Band, which was released by Liberty/United Artists in 1969.

In December 1969, with John Turner, he conceived the record label The Village Thing, for which he was also a producer. The label released two dozen albums by mostly British and American artists between 1970 and 1974 including LPs by Wizz Jones, Sun Also Rises, Pigsty Hill Light Orchestra, Steve Tilston, Dave Evans, Fred Wedlock, Al Jones, Derroll Adams, Hunt & Turner, Lackey & Sweeney,

Chris Thompson, Dave Peabody and Noel Murphy, as well as three by Anderson himself.

In the 21st century, much of Village Thing’s output has been categorised as "psych folk" or "acid folk", terms which did not exist at the time its records were first made.

1970s–80s duo

In 1973, he moved from Bristol to Farnham, Surrey, performing internationally with his then wife, Maggie Holland, as the duo Hot Vultures who recorded three albums. In 1980, the duo teamed up with melodeon player Rod Stradling and hammered dulcimer player Sue Harris, later replaced by Chris Coe, as The English Country Blues Band (two albums). This line-up subsequently expanded again with the addition of guitarist Jon Moore, drummer John Maxwell and later keyboard player Ian Carter and guitarist Ben Mandelson to become the world music-influenced English ceilidh band Tiger Moth, later, Orchestre Super Moth when they recorded with international guest musicians (two LPs, and two 12” EPs).

Editorial summary

The public source identifies “Ian A. Anderson” as english magazine editor, folk musician and broadcaster. This brief keeps that definition visible, then builds a research path around Anderson, English and magazine.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1947, 1969, 1970, 1974—that can be checked directly. The linked authority record independently contributes the date 1947-07-26. Its value is orientation rather than verdict, with Anderson, English and magazine providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Ian A. Anderson”, the useful work is to connect “english magazine editor, folk musician and broadcaster” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 24, 2026. The linked authority identifier is Q5980720. 2 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1947, 1969, 1970 and 1974.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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  1. Establish the record: confirm the title “Ian A. Anderson”, its source revision and the description used here.
  2. Expand the search: follow Ian A. Anderson primary sources, Ian A. Anderson archive and Anderson research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Ian A. Anderson” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.