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Research dossier · Arts & Letters

I Know You Know That I Know

sculpture in Denver, Colorado, U.S.

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 25, 2026
Entity authorityQ85698515 ↗
Source-derived summary

I Know You Know That I Know is a mural by Sandra Fettingis, installed at the Colorado Convention Center, in Denver, Colorado, U.S.

Editorial summary

The public source identifies “I Know You Know That I Know” as sculpture in Denver, Colorado, U.S. This brief keeps that definition visible, then builds a research path around Know, sculpture and Denver.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current 23-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Know, sculpture and Denver providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “I Know You Know That I Know”, the useful work is to connect “sculpture in Denver, Colorado, U.S” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 25, 2026. The linked authority identifier is Q85698515.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “I Know You Know That I Know”, its source revision and the description used here.
  2. Expand the search: follow I Know You Know That I Know primary sources, I Know You Know That I Know archive and Know research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “I Know You Know That I Know”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “I Know You Know That I Know” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.