CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Five (White Lies album)

2019 album by White Lies

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ61465925
Source-derived summary

Five (stylised as FIVE or ⠋⠊⠧⠑ in Braille) is the fifth studio album by British post-punk band, White Lies. The album was released on 1 February 2019 through PIAS.

Following the tour for their previous album, Friends, White Lies began writing material for their fifth studio album, and entered the studio to record in the Spring and Summer 2018. The album and corresponding lead single, "Time to Give" were jointly announced on 17 September 2018. Three more singles and two music videos were released prior to the February release of the album, including "Believe It" and "Tokyo".

On review aggregator sites such as Album of the Year and Metacritic, Five has enjoyed the highest aggregate ratings of any album the band has released.

Background and recording

During the fall of 2017, the Friends Tour wrapped up, and towards the final month of touring, White Lies began writing new songs for their next studio album. In a September 2017 interview with Digital Spy Harry McVeigh said that the band planned to begin recording in 2018 for their next album. Ahead of recording, McVeigh also said sound-wise, the demos for Five had more guitar emphasis than synthesizer emphasis, which was a bit of a departure from their previous couple albums. "Listening to the songs we have already, they are quite a bit more guitar-heavy than the demos we had for the last album."

During this time, the band's contract with BMG ended leaving them stranded to find another record label before working on a new album. Lead singer, Harry McVeigh, described the period between BMG and PIAS as stressful saying "there was a little bit of pressure, we self-funded it so after we recorded the record we were thinking, ‘Oh fuck, are we actually going to get a record deal?'" In an interview with Josh Williams and Dork magazine, bassist Charles Cave revealed that BMG pressured them to create more radio-friendly music in order to profit for the new German investors for BMG. Cave said in regards to new contract negotiations that "we just didn't pursue it.

Editorial summary

“Five (White Lies album)” enters the record as 2019 album by White Lies. Crown Archives preserves that source wording while asking what Five, White and Lies can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2019, 2018, 2017—that can be checked directly. The linked authority record independently contributes the date 2019. Its strongest next move is a source search built around Five, White and Lies.
Editorial analysis

Why this record matters

“Five (White Lies album)” is worth following because a concise public description often conceals a longer documentary argument. Here, Five, White and Lies provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q61465925. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2019, 2018 and 2017.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Five (White Lies album)”, its source revision and the description used here.
  2. Expand the search: follow Five (White Lies album) primary sources, Five (White Lies album) archive and Five research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Five (White Lies album)”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Five (White Lies album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.