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Masahisa Fukase

Japanese photographer (1934–2012)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 13, 2026
Entity authorityQ2065928 ↗
Source-derived summary

Masahisa Fukase (25 February 1934 – 9 June 2012) was a Japanese photographer, celebrated for his work depicting his domestic life with his wife Yōko Wanibe and his regular visits to his parents' small-town photo studio in Hokkaido. He is best known for his 1986 photo book Ravens (also printed as Karasu and The Solitude of Ravens), which in 2010 was selected by the British Journal of Photography as the best photo book published between 1986 and 2009.

Since his death in 2012 there has been a revival of interest in Fukase's photography, with new books and exhibitions appearing that emphasize the breadth and originality of his art.

Life and career

Background and family

Masahisa Fukase was born on 25 February 1934 in Bifuka, Hokkaido. His family ran a successful photo studio in the small northern town. Despite permanently moving to Tokyo in the 1950s to pursue his education and then career, Fukase retained strong emotional ties to his birthplace and family. Throughout the 1970s and 1980s he returned regularly to Bifuka to make large-format family portraits, a project that was eventually published in the book Kazoku (Family) in 1991.

Early career and self-representation

Among Fukase's earliest bodies of artistic work is Kill the Pigs of 1961, consisting of dark and often gruesome photographs made over the course of repeated visits to the Shibaura slaughterhouse in Tokyo mixed with photographs of two intertwined naked bodies (the photographer and his wife) Subsequently, he experimented with various journalistic and artistic styles, contributing dozens of photo essays to such magazines as Camera Mainichi, Asahi Camera, and Asahi Journal. His first photobook, Yūgi, was published in 1971 and includes numerous photographs of his first wife, Yukiyo Kawakami, and his second wife, Yōko Wanibe. Although the book was described at the time as a work of "self-representation", it contains no discernible photographs of Fukase himself.

Editorial summary

The public source identifies “Masahisa Fukase” as japanese photographer (1934–2012). This brief keeps that definition visible, then builds a research path around Masahisa, Fukase and Japanese.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1934, 2012, 1986, 2010—that can be checked directly. The linked authority record independently contributes the date 1934-02-25. Its value is orientation rather than verdict, with Masahisa, Fukase and Japanese providing the first useful test.
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A short description can identify a subject without explaining its stakes. For “Masahisa Fukase”, the useful work is to connect “japanese photographer (1934–2012)” to the records capable of establishing context and consequence.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jul 13, 2026. The linked authority identifier is Q2065928. VIAF identifies the subject as 60434266. The Library of Congress control number is n82119435. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1934, 2012, 1986 and 2010.

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Source & attribution

This entry incorporates text from “Masahisa Fukase” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.