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Hugo Sánchez Bonilla

artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 30, 2026
Entity authorityQ16105473 ↗
Source-derived summary

Hugo Sánchez Bonilla (born February 1, 1940, in Heredia, Costa Rica) is an artist.

Career

Sánchez taught at the Autonomous University of Central America (UACA). Since 1984 he has continued to teach at his personal art school.

Individual shows

1977 La Nación Main Hall

1978 Costa Rica Country Club.

1978 Surgeons and Doctors Association Board.

1980 Kamakiri Gallery

1983 Enrique Echandi Gallery

1991 Heredia City Hall

2001 Club Union

He has participated in over 170 group artshows in Costa Rica, El Salvador, Spain, Germany, Venezuela, Brazil, United States, France, Colombia, England and Tokyo.

Awards

1972 First Prize: Latin American reform for penitentiary system symposium.

1978 Honor Certificate for Annual Watercolor Hall of the Costa Rican Museum of Art

1979 First Prize: Oil paint, Heredian painters contest, sponsored by Max Jimenez association (painting: "un amigo").

1979 First Prize: National Association of professors' contest. (painting: "los canasteros" -native bags hand crafters-)

1982 Honor Certificate for the Chinese Culture contest with the painting "bodegon"

1982 Silver Medal for the Second Watercolor Art show Margarita Berthau.

Editorial summary

This brief starts where responsible research should: with the source description of “Hugo Sánchez Bonilla” as artist. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1940, 1984, 1977, 1978—that can be checked directly. The linked authority record independently contributes the date 1940-02-01. The account is most persuasive where Hugo, Sánchez and Bonilla can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as artist. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jan 30, 2026. The linked authority identifier is Q16105473. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1940, 1984, 1977 and 1978.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Hugo Sánchez Bonilla”, its source revision and the description used here.
  2. Expand the search: follow Hugo Sánchez Bonilla primary sources, Hugo Sánchez Bonilla archive and Hugo research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Hugo Sánchez Bonilla”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Hugo Sánchez Bonilla” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.