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Research dossier · Arts & Letters

Honeymoon Hate

1927 film by Luther Reed

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 8, 2026
Entity authorityQ19363635 ↗
Source-derived summary

Honeymoon Hate is a lost 1927 American silent romantic comedy film directed by Luther Reed and written by Doris Anderson, Ethel Doherty, Herman J. Mankiewicz, George Marion Jr., and A.M. Williamson. The film stars Florence Vidor, Tullio Carminati, William Austin, Corliss Palmer, Shirley Dorman, and Effie Ellsler. The film was released on December 3, 1927, by Paramount Pictures.

Cast

Florence Vidor as Gail Grant

Tullio Carminati as Prince Dantarini

William Austin as Banning-Green

Corliss Palmer as Mrs. Fremont Gage I

Shirley Dorman as Mrs.

Editorial summary

“Honeymoon Hate” enters the record as 1927 film by Luther Reed. Crown Archives preserves that source wording while asking what Honeymoon, Hate and film can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1927—that can be checked directly. The linked authority record independently contributes the date 1927. Its strongest next move is a source search built around Honeymoon, Hate and film.
Editorial analysis

Why this record matters

“Honeymoon Hate” is worth following because a concise public description often conceals a longer documentary argument. Here, Honeymoon, Hate and film provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 8, 2026. The linked authority identifier is Q19363635. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1927.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Honeymoon Hate”, its source revision and the description used here.
  2. Expand the search: follow Honeymoon Hate primary sources, Honeymoon Hate archive and Honeymoon research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Honeymoon Hate”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “Honeymoon Hate” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.