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Trisagion

liturgical singing

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ1365534 ↗
Source-derived summary

The Trisagion (Greek: Τρισάγιον, lit. 'Thrice Holy'), sometimes called by its incipit Agios O Theos (Greek: Άγιος ο Θεός) is a standard hymn of ancient origin of the Divine Liturgy in most of the Eastern Orthodox, Western Orthodox, Oriental Orthodox, and Eastern Catholic Churches.

In Byzantine-rite Churches, the Trisagion is chanted immediately before the Prokeimenon and the Epistle Reading. It is also included in a set of prayers named for it, called the Trisagion Prayers, which forms part of numerous services (the Hours, Vespers, Matins, and as part of the opening prayers for most services).

In the Latin Church, it is most prominent for its use on Good Friday. It is also used in the Liturgy of the Hours and in some Roman Catholic devotions.

Form of the prayer

In Greek:

In Latin:

In English – literal translation:

In English – common liturgical translation:

In Syriac:

History

Traditional origins

The hymn is common not only to all the Greek and Oriental liturgies but was used also in the Gallican Liturgy. Some believe it is extremely ancient, perhaps of Apostolic-era origin. However this contradicts the tradition in the Greek Menology tradition regarding its origin. The tradition recounts that during the reign of Roman Emperor Theodosius II (402–450), Constantinople was shaken by a violent earthquake, 24 September, and that whilst the people, the emperor and Archbishop Proclus of Constantinople (r. 434–446) were praying for heavenly assistance, a child was suddenly lifted into midair, to whom all cried out Kyrie eleison ('Lord, have mercy'). The child was then seen to descend again to the earth, and in a loud voice he exhorted the people to pray : 'Holy God, Holy Mighty, Holy Immortal'.

Editorial summary

Begin with the source’s own compact description: “Trisagion” is liturgical singing. The dossier treats that line as a proposition to test through Trisagion, liturgical and singing, not as a finished interpretation.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current 280-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. For this dossier, Trisagion, liturgical and singing is the immediate research focus.
Editorial analysis

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The phrase “liturgical singing” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q1365534. None of the 0 selected statements returned an explicit reference.

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Source & attribution

This entry incorporates text from “Trisagion” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.