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Hollywood Suite

television station

Architectural plans, a scale model, maps and brass measuring instruments
Places and architectureInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 15, 2026
Entity authorityQ1171221 ↗
Source-derived summary

Hollywood Suite is a group of four Canadian discretionary specialty channels, each either majority-owned or wholly owned by Anthem Sports & Entertainment (ASE).

The four channels are primarily devoted to commercial-free classic and contemporary films, with each of the four channels devoted to one or more decades, including the 1970s and older (Hollywood Suite 70s+ Movies), the 1980s and 1990s (80s & 90s Movies), the 2000s (2000s Movies), and the 2010s and newer (2010s+ Movies).

Its channels are separately licensed services (in contrast to competing premium television services in Canada, which at the time of launch, were Category A-licensed and whose additional channels are treated as multiplex channels operating under a single CRTC license); the four channels are typically bundled together in a single package.

They were originally founded in 2011 by Hollywood Suite Inc., a privately held company founded by Jay Switzer, Jeff Sackman, Michael McLaughlin, Cathern Tait, and David Kines. On June 1, 2025, a year after an undisclosed deal was announced, ASE completed the acquisition of the company.

History

On July 2, 2010, on behalf of a corporation to be incorporated, veteran Canadian television executive Jay Switzer was granted approval by the Canadian Radio-television and Telecommunications Commission (CRTC) for four new category 2, high-definition specialty channels. The four channels included "Velocity" and "Adventure"—which would be "devoted to the entire genre of action and adventure, including selections from crime fiction, and epic and heroic drama", as well as "KISS" and "The Love Channel"—which would both be "devoted to romance, love and relationships."

The four channels launched on November 23, 2011 under the blanket branding Hollywood Suite, with all four channels typically distributed as a single package; the channels were marketed as providing a "pure" and "high quality" service at a lower cost in comparison to other premium television services in Canada.

Channels

Hollywood Suite consists of four specialty channels focusing on films, and in some cases TV series, from the 1970s and earlier, 1980s and 1990s, 2000s, and the 2010s and newer respectively. The service also offers a video on-demand channel, and the TV Everywhere streaming service Hollywood Suite Go.

The four channels were previously formatted with either a theme, or featuring films from specific studios under brand licensing agreements; they originally launched as WarnerFilms (focusing primarily on Warner Bros.

Editorial summary

Begin with the source’s own compact description: “Hollywood Suite” is television station. The dossier treats that line as a proposition to test through Hollywood, Suite and television, not as a finished interpretation.

Editorial reviewA strong orientation record where physical form, institutional use and historical geography need to be read together. The current lead gives the account dated anchors—2011, 2025, 2010—that can be checked directly. The linked authority record independently contributes the date 2011-11-23. For this dossier, Hollywood, Suite and television is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “television station” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Maps, plans, fabric surveys and administrative records can establish how the site’s name, extent and function changed over time. The source revision retrieved here is dated Jun 15, 2026. The linked authority identifier is Q1171221. 2 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 2011, 2025 and 2010.

Critical limits

Architectural summaries often privilege surviving fabric and can understate demolished phases, contested use or displaced communities. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Treat names, boundaries and functions as historically changeable. Maps, plans, inventories and administrative records can clarify what the place meant at different dates.

Best used for
  • Historic place names
  • Jurisdictional context
  • Routes into maps and plans
Verify next

Contemporary maps, plans, listed-building records, estate papers and the responsible local or national archive.

Three-step research path

  1. Establish the record: confirm the title “Hollywood Suite”, its source revision and the description used here.
  2. Expand the search: follow Hollywood Suite primary sources, Hollywood Suite archive and Hollywood research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Hollywood Suite”?
  2. What physical evidence or contemporary plan supports the description?
  3. Which authority defined the place, boundary or structure at the relevant date?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Hollywood Suite” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.