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Stop motion

animation technique to make a physically manipulated object appear to move on its own

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 19, 2026
Entity authorityQ308876
Source-derived summary

Stop motion (also known as stop frame animation or object animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or clay figures (claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation.

Terminology

The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion"—either standalone or as a compound modifier. Both orthographic variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatically stopping a machine or engine when something has gone wrong".

History

The use of animated objects in film has been present since the early days of cinema.

1849 to 1895: Before film

Before the advent of chronophotography in 1878, a small number of photograph series depicted subjects in successive positions. These can now be regarded as a form of stop motion or pixilation, although very few results were meant to be animated.

Editorial summary

Begin with the source’s own compact description: “Stop motion” is animation technique to make a physically manipulated object appear to move on its own. The dossier treats that line as a proposition to test through Stop, motion and animation, not as a finished interpretation.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1849, 1895, 1878—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Stop, motion and animation is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “animation technique to make a physically manipulated object appear to move on its own” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 19, 2026. The linked authority identifier is Q308876. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1849, 1895 and 1878.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Stop motion”, its source revision and the description used here.
  2. Expand the search: follow Stop motion primary sources, Stop motion archive and Stop research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Stop motion”?
  2. Which institution is responsible for the underlying evidence?
  3. Which cited source is closest to the event, object or claim?
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Source & attribution

This entry incorporates text from Stop motion” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.