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Belarusian folk dance

ethnic dance of the Belarusian people

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 10, 2024
Entity authorityQ4082728 ↗
Source-derived summary

Belarusian folk dance (Belarusian: Беларускі народны танец) is a Belarusian folk dance art, presented in the form of folk domestic or staged scenic dance. The history of Belarus and efforts to preserve Belarusian traditions have shaped the dances in use today, which have many ancient and archaic elements. These dances started to form in the 14th century, and originated in East Slavic rites. In the middle of the 19th century, traditional folk dancing began to merge with quadrilles and polkas from Western Europe.

The Belarusian folk dances are divided into three groups: illustrative, playful, and ornamental. Belarusian choreographer Larisa Aleksyutovich further subdivides Belarusian dances into the following genres:

"actual" dances (traditional dances, quadrilles, polkas)

folk dances

circle dances

games in the form of a dance

The concept of a "Belarusian folk dance" includes three components:

authentic dance performed in everyday life

staged folk dance

ethnic dance

History

The main characteristics of Belarusian dance emerged concurrently with the shaping of Belarus and its culture in the fourteenth through sixteenth centuries, with its roots dating back to ancient Russian culture. These dances have manifested the emotions, sentiments, and personality of the Belarusian people.

For a long time, Belarusian dance was little known, even in Belarus, and was rarely seen outside of small villages. Ihnat Bujnicki (Belarusian: Ігнат Буйніцкі, also sometimes spelled Ignatius Buinitsky) popularized Belarusian folk dances on both Belarusian and foreign stages with the creation of the Belarusian National Theatre in 1907. Bujnicki worked there as a director, actor, and dancer.

Editorial summary

“Belarusian folk dance” enters the record as ethnic dance of the Belarusian people. Crown Archives preserves that source wording while asking what Belarusian, folk and dance can confirm, complicate or overturn.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1907—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Belarusian, folk and dance.
Editorial analysis

Why this record matters

“Belarusian folk dance” is worth following because a concise public description often conceals a longer documentary argument. Here, Belarusian, folk and dance provides the most credible route into that argument.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Dec 10, 2024. The linked authority identifier is Q4082728. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1907.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Belarusian folk dance” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.